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For
2012 Work Schedule
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a Fan, and
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Inventory Updates
Our Work Schedule
2012:
1-3-11
Conn Gold Artist
"Harp" alto:
WWS horn gets
Vintage Standard Rebuild for customer. Seward
In Progress
1-17-12
Buescher Big B
Tenor: Customer horn gets
Vintage Standard Rebuild with metal-backed pads and natural cork throughout. Williamson
In Progress
2-1-12
SML Rev D Alto:
Customer horn gets
Vintage Standard Rebuild with prestini pads and natural cork throughout, +
custom key fabrication. Heine In Progress
2-15-12
The Martin Tenor:
WWS horn gets
Vintage Standard Rebuild with prestini pads and natural cork throughout for
customer. Gillette
3-1-12
Buffet Super
Dynaction Tenor: WWS horn gets
Vintage Standard Rebuild with prestini pads and natural cork throughout for
customer. Croasdale
3-15-12
SLOT OPEN
3/29--4/14/12
TIME OFF
4-16-12
SLOT OPEN
If you wish to schedule a rebuild, or purchase one of our saxes
(and it
still needs
to be rebuilt), send us a 50% deposit to hold your place in the work
schedule. We
work from a published schedule (see left margin) so that your sax will only be out of your
possession a couple weeks, while i do the actual work, it does not have to just
sit on the shop floor, until its turn comes up... you send it to arrive on
schedule and we return it on schedule.
E-mail chadd with questions
about our vintage saxes at: worldwidesax@gmail.com
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Payment
Options:
(we
can't do Credit Cards in the shop but YES through PAYPAL)
...Cash...or
...Check...
...
Wire Transfers ($15)
...Paypal
(3.45% fee)
|
Click the links
above to see what's in stock.
If a horns says "just rebuilt", then it's ready to go, saxes that say "scheduled for a rebuild" are
waiting for the work to be done, but it will be included in the posted
price. If a sax says "ON TRIAL" someone is taking advantage of
our "Three Day
Trial" policy (See Info and
Orders page).
NEW! Saxophone
Comparison Chart Some
of the best vintage saxes of all time CLICK
HERE
Here is a pic of some custom
resonator work. We can size the reso to your tonehole, or whatever you
like.

We can get you virtually any resonator made, my favorite
is the Resotech
solid silver reso.
WE
DO
GOLD AND
SILVER
ELECTRO-PLATING
That's
right!
We have a:
GOLD
STAR
Pro plating system

The Industry's Premier Silver and Gold Plating System
Ask about having us Plate your Bell interior in 24
carat or ROSE
GOLD
It
is our business to Rebuild your sax or sell ours as Fully Rebuilt Saxes. We
never sell our stock "As-Is". We are Restorers.
If you wish to schedule a rebuild, or purchase one of our saxes and it
still needs
to be rebuilt, send us a 50% deposit
and we will schedule its rebuild before any of our other
worldwidesax.com inventory.

Everybody
loves these new Kangaroo
skin
pads, aka Saxgourmet Pads and you
can get them from Curt, at musicmedic.com
you can request that any WWS stock be rebuilt with them, or
just click this link and order some for yourself.
Check
out our newest pages...
Hard to find:
Here is a helpful outline of
SML serial Numbers:
S.M.L.
Serial Numbers:
0001
– 3000 / 1934 to 1940
3000
– 5500 / 1940 to 1945
5500
– 8000 / 1945 to 1950
8000
– 12000 / 1950 to 1955
12000
– 16000 / 1955 to 1960
16000
– 19000 / 1960 to 1965
22000
– 24000 / 1970 to 1975
24000
– 26000 / 1975 to 1980
26000
– 27000 / 1980 to 1982
Here is a helpful outline of
Keilwerth serial Numbers:
Keilwerth
Serial Numbers:
1925: 0-800
1933-5:
9000
1941: 18,500
1947:
#20,000
1953: #23,000
1958: #28,000
1960: #38,000
1962: #43,000
1964: #49,000
1966:
#55,000
1971: #69,000
1978: #79,000
1986: #91,000
1993: #99,100
1996: #104,000
1998:
#109,000
2004:
#119,000
Keilwerth made The New King
and Tone
King as their main brand names, from 1932 to 1969 or so, but
there were always stencils, like Edgeware and later Couf. Here are few of
the other names you may find on Keilwerth made horns. The New King and
Tone King saxes were identical except for a high F# key on the tone king model,
but keilwerth marketed the Tone King as the "deluxe" Pro model and the
New King as the "standard" Pro model
Known Keilwerth Stencils:
Couf Superba 1 & 2
Royalist
Conn DJH
Buffet
Edgeware
Marco
Vincent Albert
Martelle
Winsall
Tam
Bundy Special
Armstrong
Heritage
King Tempo
Champion
Calvert Deluxe
Silvertone
Hammerschmidt (sopranos)
Jean Barre Artist
(seen Alto)
Bundy (H&A Selmer)
Keilwerth
copiers, such as Amati,
Dörfler & Jörka (1949 to 1968, then purchased by Keilwerth) and B&S
H.Genet
Roxy
Jubilee
Voss
Silvertone
Rene Dumont
Keilwerth relatives:
Max Keilwerth and Richard Keilwerth (Graslitz) made saxes
under the names:
Weltklang (baritones only)
Senator
Hohner

Here is a handy chart
for King zephyr series:
Zephyr
and Zephyr Special
Zephyr, "Series I":
s/n
170xxx to 180xxx
Zephyr, "Series II":
s/n
180xxx to 237xxx
Zephyr Special:
s/n 200xxx to 280xxx
Zephyr, "Series III":
s/n 237xxx to 305xxx
Zephyr, "Series IV":
s/n 305xxx to 423xxx
Zephyr, "Series V":
s/n 423xxx to 540xxx
1945 was the beginning of King's Super 20 (s/n 272xxx)
and Zephyr "II"s (s/n 272xxx)
Past Work Schedule 2010:
4-13-10 Gold
Plated The
Martin Soprano 64,xxx:
Done
4-18-10 Silver The
Martin Tenor 184K "USMC": Done
5-7-10 Buffet
SDA Alto 18K: Done
5-14-10 Armstrong
Low A
Baritone: Done
5-25-10 Conn
10M:
Done
5-28-10 Martin
Committee 2
Alto: WWS
Done
6-1-10 J.
Keilwerth 1934 New
King
Alto:
Nickle plated Done
6-11-10 The
Martin Alto:
Done
6-17-10 Silver
Buescher
Big B: Silver plated WWS horn gets a Standard Vintage Rebuild with flat metal
resos for customer. Done
6-24-10 1948
Conn 6m Naked Lady: Done
7-2-10 Buescher
400 Tenor #505K:
WWS horn gets a Standard Vintage Rebuild with Prestini rivetless
dome metal resos. WWS Done
7-8-10 1928
Silver Conn Chu Alto:
Customer horn gets a Standard Vintage Rebuild with flat metal
resos. DONE
7-20-10 King
Super 20 Alto #415K: WWS horn gets a Standard Vintage Rebuild with flat metal
resos. WWS Done
7-28-10 Conn
6m: customer horn gets a Standard Vintage Rebuild with flat metal
resos. Done
7-28-10 1945
The
Martin Tenor:
WWS horn 153K gets a Standard Vintage Rebuild with Seamless Domed
resos. WWS
Done

8-5-10 Buescher
Aristo "156" Tenor #338K:
Done
8-12-10 1953
SML Rev D #10K:
Chadd horn gets a Vintage Standard Rebuild with Presini pads, some
Premium upgrades, minor fabrication work, and some plating restorations.
Done
8-13-10 1972
Selmer Mark VI alto #208K:
WWS horn gets a Vintage Standard Rebuild with Presini pads and
natural cork throughout. WWS Done
8-27-10 1940
Conn 26M
alto: Customer horn gets a
Premium Vintage Rebuild with White Roos & Seamless Flat
resos. Done
9-7-10 1952
King Zephyr Alto:
WWS horn 328K gets a Standard Vintage Rebuild. WWS
Done
9-23-10 Buescher
Big B Tenor #322K:
WWS horn gets a Standard Buescher Rebuild with Buescher snap in
pads and natural cork throughout for customer. Done
6-17-10 Silver
Buescher
Aristocrat #280k: Silver plated WWS horn gets a Standard Vintage
Buescher snap-in Rebuild with original metal
resos. WWS Done
10-15-10 1960s
LeBlanc Rationale Tenor:
WWS horn gets a Vintage Standard Rebuild with Presini pads. Sarge/WWS
Done
10-22-10 1953
SML Rev D #10K:
WWS horn gets a Vintage Standard Rebuild with Presini pads for
customer. Done
10-26-10 1940
Martin Comm 2 alto:
Chadd horn gets a Vintage Standard Rebuild with Presini pads, some
Premium upgrades for customer.
Done
11-4-10 Buescher
Aristocrat Alto #345k: WWS horn gets a Standard Vintage
Buescher snap-in Rebuild with original metal
resos. WWS Done
11-4-10 Buescher
Big B
Aristocrat Tenor #317k: WWS horn gets a Standard Vintage
Buescher snap-in Rebuild with original metal
resos. WWS Done
11-18-10 Silver
Conn Chu alto: Customer horn gets a Standard Vintage Rebuild with
flat metal
resos. Childs Done
12-2-10 Buescher
Big B
Aristocrat Alto: WWS horn gets a Standard Vintage
Buescher snap-in Rebuild with original metal
resos. WWS Done
12-14-10 The
Martin Tenor #208k: WWS horn gets a Standard Vintage Rebuild with
flat metal resos and rivet center. WWS Done
12-17-10 Nickel
Conn Chu Tenor: WWS horn gets a Vintage
French Standard Rebuild with plastic resos. WWS
Done













Please e-mail or phone us for additional descriptions or JPEG's of
any of our current inventory, or if you don't see something you would like to have, let us
know.
Unlike some web shops, we will try to list all of our current inventory and prices so you
can see and shop here in our virtual store.
We have a long list of customers you can
e-mail for references. (see References Page)
Thanks, for visiting Worldwide Sax.
~~Chadd&Steve~~
Past Work 2011:
1-1-2011 H.Couf
Superba 1 Tenor:
Customer horn gets a Standard Vintage Rebuild with Pisoni rivetless dome metal resos. Thaut
Done
1-4-11 1938
Buescher Aristocrat
series 1 Tenor:
WWS horn gets a Vintage Buescher Snap-in Rebuild with natural cork
throughout. WWSDone
1-19-11 1940s
Buescher Aristocrat
Alto: Customer's alto neck
gets pull-down repair and dents removed. Garcia
Done
1-19-11 Conn
"tranny" Chu alto:
WWS horn gets a Vintage Rebuild with natural cork
throughout and Sherry Huntly Engraving. WWS Done
1-28-11 Conn
6m alto: Customer horn gets a Vintage Rebuild with natural cork
throughout. Harford Done
2-5-11 King
Super 20 alto - pearls: WWS horn gets a Vintage Rebuild with
premuim extras. WWS Done
2-22-11 King
Super 20 tenor - pearls: Customer horn gets a Vintage Rebuild with
oversized Noyak resos on Black Saxgourmet Roo pads. Atkinson
Done
2-23-11 Buescher
400 Tenor 429K: WWS horn gets a
Vintage Buescher Snap In rebuild. WWS Done
3-10-11 Conn
Gold C-Soprano 98K: WWS horn gets a rebuild
for customer with silver Resotechs to be gold plated & Premium Upgrade. Gast
Done
4-7-11 King
Super 20 tenor --full pearls:
Sax gets a Vintage Rebuild with premium extras and seamless flat resos. Sarge
Done
4-14-11 Conn
Chu tranny tenor: Customer horn gets a Vintage Rebuild with
oversized Resotech resos on Black Saxgourmet Roo pads and a Premium Upgrade and
New stainless steel springs. Mattina Done
4-21-11 Buffet
S-1 Tenor:
Sax gets a Vintage Rebuild with premium extras and seamless flat resos. Sarge
Done
5-10-11 Vintage
YAS-62 purple
label: Customer horn gets a
French Standard rebuild with plastic dome resos. Tebo
Done
5-13-11 Vintage
Dolnet #24K: WWS horn gets a
French Standard rebuild with Flat Metal resos. WWS
Done
5-19-11 Selmer
Mark VI alto: Customer horn gets a
Silver Restoration
with a
French Standard rebuild with plastic dome resos and full Spring Replacement. Zax
In Progress
6-3-11 Selmer
Mark VI Tenor: Customer horn gets a
French Standard rebuild with plastic dome resos and swedging. Layer
Done
6-20-11 Silver
Buescher
TrueTone IV Alto: Customer horn gets a
Vintage Standard rebuild with Buescher Snap In Pads. Tarvin
Done
7-1-11 King
Saxello customer horn gets a Vintage Standard Rebuild. Zax
Done
7-15-11 Silver
Conn curved Soprano: WWS horn gets a Vintage Standard
Rebuild after chemical Lacquer stripping, for customer. Luchtan
Done
7-29-11 Silver
Conn 26M
alto: WWS horn gets Rebuilt
and some much needed TLC. WWS Done
8/7/11--8/13/11 TIME
OFF
8-15-11
1935 Conn 10M
tenor: WWS horn gets a Vintage Standard Rebuild for
customer.
Oleru
Done
8-16-11 The
Martin Tenor 1953: Customer horn gets
Vintage Standard Rebuild. Neilo Done
8-29-11 King
Zephyr alto: WWS
(OS) horn gets a Vintage Standard Rebuild for customer. harrson/Keller
Done
9-1-11
Maintenance &
School Prep
9-10-11
Maintenance &
School Prep
9-20-11
Martin Committee II
alto: Customer horn gets
Vintage Standard Rebuild.Siboliban
Done
10-1-11
Martin Committee I
alto: Customer horn gets
Vintage Standard Rebuild + a new custom screw rod. Siboliban
Done
10-18-11
Martin Committee III
"The Martin alto": WWS horn gets
Vintage Standard Rebuild for customer. Zink
Done
11-1-11
H&A Selmer
Bundy Baritone: WWS horn gets
Vintage Standard Rebuild for customer with domed metal resos for customer. Snowhill
Done
11-13-11
Mark VI alto: Silver Restoration
Returns from Andersons. Customer horn gets a
with a
French Standard rebuild with Metal dome resos and full Spring Replacement with
Rose
Gold Plating Accents. Zax Done
12-6-11
Buescher Big B Baritone:
WWS horn gets
Vintage Standard Rebuild with metal-backed pads and natural cork throughout. Aaberg
12/22--31/11
TIME OFF
| |
Worldwidesax References:
We are open for business
T W T F , 10-4:00 pst. Saturday,
Sunday & Monday's off
Welcome to
our online presence. This is our Tenth Year Online. We are a SAX ONLY
repair shop, who restores and sells what we buy, to the public... and we also do
custom rebuilds and restorations for customers, from all over the
world. Sometimes you see the term "dealer" associated with
retail shops, but a typical "dealer" does not repair horns, just buys and
sells "as is". They may have started out as an antique store, or
pawn/loan broker and found the mark up in finding and selling "as is", to
their liking. Some dealers have a local shop, do tunes-ups,
or student quality rebuilds for them and then marks 'em up and sells 'em. We try to do
more then just mark up and profit, we make them
better. We are not a big
corporation, but rather a proprietor owned and operated "shop", run in an
old fashioned personal and up-close manner.
If you wish to schedule a rebuild, or purchase one of our saxes
(and it
still needs
to be rebuilt), send us a 50% deposit to hold your place in my work
schedule. We
work from a published schedule (see left margin) so that your sax will only be out of your
possession a couple weeks, while we do the actual work, it does not have to just
sit on the shop floor, until its turn comes up... you send it to arrive on
schedule and we return it on schedule.
 |
Customer
References:
|
We have added this new page, at the
request of our customers, for unsolicited customer comments. Along
with their comments are their email addresses, in case you want to have further dialog with them.
To send your comment to be listed here, email to this address:
worldwidesax@gmail.com
I will also
occasionally post email I have received from a happy customer, about their transaction.
(this is about 10% of the nice mail that I get after a sale, thanks so much!)
Here is a list of the
countries we have happy customers in:
Egypt, Denmark, Austria, Africa, Sweden,
Russia, Finland, Norway, Australia, Brunei, Japan, So. Korea, Italy, Canada, Germany, France, England, China,
The Philippines, Holland, Switzerland, The Netherlands, Taiwan,
Israel,
Bill
from Tennessee, USA just bought our King Zephyr tenor:
January 17, 2012, Bill
Harrell [secret]@gmail.com
Hi Steve&Chadd,
Received Zephyr late Tuesday afternoon in good condition. As luck would
have it, I was tied up and not able to try it out very much for a couple of
days (after all this planning!). Anyway, I liked the feel immediately and
the setup seems good (I'm sure thanks to all your tweaking ). I tried it
with a Brilhart mpc first and the scale seemed fine (big low end ) but when
I tried a Berg it really came alive. Faster response, much less restriction
and good projection ( cutting though volume ). Brighter than the SML for
sure, but noticeably more comfortable table and balance and intonation
seems good as well. I guess that means a yes for this trial and sale.
Thanks for your consideration on the case and I hope to put it to good use
getting to know this instrument better.
As always, thanks for all your patience, time and deference to me though
this process.
Bill
Glen
from New York just bought our Conn 26M alto that we brought back from the grave.
What a story!(also on "Our Finest"):
September
2011, Glen at: veloxnex@yahoo.com
Chadd ( and Sarge),
The play test is over....... the horn is fantastic. It's mine, I am
keeping it. The work you did to repair the damage is amazing. I
don't think anyone will ever know that it had been screwed to a wall. It
is a really beautiful horn. I know now why people fall in love with that
"Conn sound". The action
is faster than anything that I have played. Thanks for keeping my request in
mind when you were setting it up.
The notes you included were a huge help for me getting used to playing a
vintage horn. The level of service WorldWideSax has provided was exceptional.
Its not that often that I have a buying experience this pleasurable.
I will miss the daily e-mail on the rebuilding progress, they were interesting
and exciting. Most of all I just want to say Thank You again for work on
the Conqueror , I heard people speak of these legendary horns but I never
thought I would own one in such fantastic condition. Its a real work
of art that was saved from scrap because of your incredible skill to repair it
but also your love and knowledge of saxophones to know that this horn was worth
saving.
Thanks,
Glen
Robert, from
Australia, just bought a one of Sarge's special, personal horns: a Conn 10M with
special upgrades to the thumb-rest and octave-rest, a Premium Rebuild and
natural big sound:
August 16, 2011, Robert
Gerner pnpgnr06@gmail.com
Well, you have
another delighted customer from 'down under'.
Your completely
restored, premium rebuild, Conn 10M arrived in perfect
condition, thanks to Chadd's masterful packing, and it is superb which ever
way you look at it. It is pitch perfect, the action is very fast and the
ergonomics of the key work just great. With its gold interior to the bell
and the polished silver keys against the matt-finished body it is a thing of
beauty. I have settled on a Selmer D mouth piece which gives a lovely
warm tone, and whilst I tried a metal mouthpiece as in a Meyer 6J it
is not for me.
The instrument is a
treat, as too was the WWS service from beginning to end.
All power to
Worldwide Sax, now and in the future.
Kind regards, Robert
Gerner.
David,
from Nebraska, USA, just bought a WWS rebuild Buescher for the family TrueTone
alto & a Meyer mpc:
July 17, 2011, David
R Tarvin Sr gogreen.wh2o.solutions@gmail.com
Steve&Chadd,
Good morning.
My grandson
Nathan received his saxophone early Friday afternoon. He waited to open
it up until his mother, his grandmother and I were in the room. We all
agreed; it looks beautiful. He tested it with both mouthpieces and both
necks. It plays easily and sounds fabulous. He is able to hit the low
notes and all notes in the high register with ease with both
mouthpieces. The Meyer projects a little more than the Buescher, but his
sound is so much improved. Thank you guys for a wonderful job.
Brad
from the U.S.A. just bought our Conn C-Soprano in gold plate for his Son:
April
2011 Brad
Gast <bradgast@mangosinc.com>
Just
wanted to say thank you, Chadd, for an awesome job. Working with you
was an absolute pleasure. Your care and attention to detail was outstanding.
I especially loved the fact that you ordered a custom "miniature" dent
removal tool (on your nickel) for one barely-noticeable imperfection on the
rather slim neck of this very special C soprano. Talk about going the extra
mile. I also truly appreciated your communication throughout the process.
The final product? Breath-taking from both a performance and a cosmetic
place. Thanks again for a wonderful first experience and outstanding
saxophone...with so many "extra touches." You are truly a class act.
-my best, Bradley Gast (of Mangos Inc.)
-and Maxfield Gast,
whose latest music is for the FX show "Louis" see more at: www.maxfieldgast.com
Todd,
from Florida, USA, just bought a WWS rebuilt Buescher Aristo 1 Tenor:
Feb 3, 2011, Todd
Sneeringer <toddsneeringer@cfl.rr.com>
Arrived today safe and sound. Don’t think I’ll be using that case. I Would not trust it to keep the horn safe
without the packing materials. I’ll keep the case in storage just to have it.
Impressive work! Plays easily top to bottom so no shipping trauma that I can tell. The Buescher has a
pleasing complex tone which is what I was really after. Wow, the palm keys really speak out! Altissimo is
much easier also and I need all the help I can get there. I was wondering about the ergo’s and can tell right
away they are no problem. Like them better than other vintage horns I tried years ago (Conn and Martin).
Actually like how the horn is up higher than the
P.Mauriat I was playing – the P.Mauriat has a neck angle that puts
the keys lower and it required a longer neck strap than normal. Just a few notes to get used to intonation
wise on the Buescher but nothing looks like a problem. I have several custom large chamber mouthpieces
and so far I like a refaced
Otto Link best.
So I can already tell it is a keeper. Add me to your list of happy customers.
Thanks!
Todd
Scott,
visiting from Japan, just bought a WWS rebuilt Selmer Mark VI 148K Tenor:
Feb 2, 2011, Scott Dalton <scott_d@4lifejapan.co.jp>
I have purchased and sold quite a few horns over the years and on both
sides of the Pacific, and would definitely rate Worldwide Sax among the
elite. Their place had a unique and broad selection of vintage horns (glad
I got to make an appointment while traveling through the Seattle area), the
guys were professional and personable, and after trying out several
extremely cool "dream-horns" I wish I could take all home all at once, I
picked out one freshly overhauled vintage Selmer Mark VI Tenor with lots to boast
about, including the most solid upper altissimo I've ever experienced.
Later, when they shipped a horn to me in Japan, the horn came securely
packed and played right out of the box. These guys know how to do it right!
Thanks Steve and Chadd!
Amanda,
from Kent, England, just purchased our freshly rebuilt Buescher Aristocrat
series 3 Tenor:
Hi Steve
we have received the sax safe & sound. No problems except some
wear on the octave mechanism which we are sorting out at this end.
We have had a few anxious days, but Michael is now thoroughly happy and
satisfied and thinks it is a magnificent instrument. We also think
it is probably a better quality buescher than he had before. It
certainly plays louder and with a richer tone. He is especially impressed
with the low notes which are much easier to play. We have invested
in a new case for extra security and are sure that Michael will treasure
this sax (which he rates far above the new Selmers, Mauriats etc. that he
tested out as potential replacements for his other sax).
Thank you for all your efforts.
Amanda
Steve E
just received one of our mouthpieces, customized by Bob Carpenter:
Subject: Thanks! I'm
impressed!
I just got the Geo M. Bundy 105
tenor piece last night. I'm going to play
more today to be 100% sure about intonation etc., but it seems very close to
what I'm looking for at a reasonable price so it is probably a keeper. I just
had to let you know immediately, though, that
I'm particularly impressed with your description of the sound of this piece.
When you said it was a cross between a NY Meyer and HR Berg I couldn't quite
wrap my brain around that, but it's true! It sounds EXACTLY as you say it does,
and the rubber is of outstanding quality as is Bob's craftsmanship. Truth in
advertising is a rare thing these days and is much appreciated. Because of that,
you can bet if I have other vintage sax itches to scratch, your site will be one
of the ones I visit first!
Steve
Erica,
from Alaska, just purchased our freshly rebuilt The Martin Tenors:
Edmund,
from NY, just purchased our Silver Chu Tenor, with some nice mods like a selmer
thumbrest, the sax came out gorgeous:
Dear Steve,
Well, well, well, what can I say? Simply amazing!! Until yesterday I hadn't
played for more than a few hours due to working on the movie. After playing the
sax for about six hours it's all coming together. This morning it sounds
incredible, so nice it blows my mind. It plays so easily it's not to be
believed. Esp. the roller keys, B flat to B to C sharp, C to D sharp, smoooooth.
Very nice. I'll tell you what, I may be just a beginner but it sure is easier to
play something in perfect condition. Kind of like it's easier to drive a Ferrari
faster than an old Triumph, or in this case a perfectly restored Bentley rather
that an 80's Cadillac.
Wow and Wow, Thanks, thanks, thanks. Such a pleasure, I'm so lucky to be able to
afford something like this at my level of play. Give me a few months of straight
practice, if I can find the time as I may be on another movie starting next week
for 10 weeks and I'll sound like I've progressed a year.
Thanks again, and please put any or all of this on your website, edited any way
you like.
Edmund Tomaselli [ejtnyc@gmail.com]
8-07
John is
another NYC player, he just picked up a nice old Conn soprano:
From: John
R Beaty [mailto:jrb402@nyu.edu]
Sent:
Saturday, July 21, 2007 9:58 AM
To: wwsax@comcast.net
Subject:
Thank You
Sarge,
The Conn
you sent me is great, exactly what I have been looking for in a soprano. It has
been a great experience buying an
instrument
from you. Just a side question, do you know the history on the soprano? It is so
old I am just curious.
Again
thank you so much,
peace,
john
I
just finished a selmer style rebuild on Bert's five digit tenor, here's his
revue:
I
just can't believe the way my horn plays after the rebuild you did on her!
WOW!! My wife commented on how much better the tone was when I first got
home, but I was having some trouble on the low end (D and below). After
hours of playing, I can now tongue a low B flat with a SUB TONE! That
may not seem like a big deal to the pros, but I have NEVER been able
to do that!! I can also keep the green light on the tuner lit up
throughout the full range with VERY little adjustment on my part. It
just keeps getting better as I play more and everything settles in. What
a pleasure it is to play now!!
Thank
you SO much.
You
probably don't need any more references, but I'll be glad to talk to anyone
that will listen if you send them my way. (Please don't post my work
e-mail. Use bvacation@comcast .net if you put this on your site.)
Thanks
again,
Bert
Evens
Daniel just
bought one of our Martin Committee 2 tenors, he's in sax heaven:
Sarge - I have played this Comm II all morning, and I am
one very happy man! Good lord, after all these years of thinking I was an
"alto man", I think I've found my place. My wife agrees. :).
Needless to say, it's SOLD.
BTW, the mouthpiece/reed combo I'm using just seems to fit
with this horn. I'm using the Kessler OL7Pro, a Vandoren V16 2.5 reed, and a FL
ultimate lig. I have never picked up a horn before and felt that I had found my
"dream" set-up, before today. I think it helped that I've been playing
the bari for the last month, in terms of having proper air support, etc from the
get go. Anyhow, just had to share my enthusiasm for this horn with you. It's set
up beautifully and I'm having a blast running through the fast passages in the
old Omnibook.
Thanks for your great work!
Daniel 2-07
dpchip@yahoo.com
You
can see this Buescher alto silver restoration alto at my finest works page:
Wow that's one good looking horn. My son was
out of town when it arrived so he didn't get to start playing until yesterday.
He can't believe the difference in the horn. He reports the sound volume is 2
x what he could get before the rebuild especially in the low end, he says it
puts it to the back of the room with little effort. Music he struggled with
before the rebuild he was able to pick up cold and nail. The action is smooth
and quicker than anything he has ever played. The upper end of the horn can
now be played very softly he said I can go up high and just lay notes in
instead of having to power everything up top just to get it out of the horn.
He said they jumped into "Eye of the tiger" yesterday in stage band
at school and it was the first time the brass section realized there was a sax
part in the piece. It continues to play better with each days use. Matt says
he's picking up on the new playing quality's quickly and it's a great
confidence builder up high or down low it goes were you want it too. Tone
quality is much richer and he's enjoying the variety of tonal personalities
the horn is now capable of producing. As parents it will be fun to watch
Matt's playing skill increase now that the horn is capable of
exceeding his expectations. It makes you wonder how many talented kids gave up
on music just because of the cheep horn their un-knowing parents bought for
them made any hard work on their part meaningless. Matt's director is dieing
to try the horn out (he's a lifelong sax player) and I'd like to get his take
on the horn but Matt hasn't allowed anyone else near it yet.
Any way thanks for a great restoration it plays
as good as it looks and we are very satisfied with the incredible workmanship
applied to this horn. The engraving is perfect I'm really glad we put it on,
the lady that does that work for you is truly a gifted artist. The satin
silver with the bright highlights and the gold bell is a really classy
combination and I think as the silver ages a little it will only get better.
The Black K. pads with silver reso's are very visually striking. Glad we
replaced those springs I don't know how you got that action so smooth but it's
like glass and so incredibly quick, the balance key to key is very satisfying.
Thx again Scott Unruh [mailto:
cntrl4u@aol.com]
John just
got his 1940 Buescher small bell aristocrat and was quite pleased with our
rebuild and the beautiful sound:
OK Sarge,
Finally got the horn here in Cairo and it's Fantastic!!!! Thanks so much.
The feel is great and the sound is great, I'm really glad I spent the extra
bucks instead of getting one of these $800 ebay horns.
Next time I'm in the states I'll send you my Series 1 alto so you can do the
same thing to it!
Cheers,
John, john_dikeman@yahoo.com
1-07
Martin
lives in The Netherlands and he just purchased one of our nicest Silver
Plated The Martin Tenors:
I just
finished a Premium rebuild, on one of our Silver Conn New Wonder "Chu Berry
" Tenors for Kurt in the UK:
Hi
I picked up the sax this morning. It
looks lovely, vintage but not tatty, a nice patina. The action is weighted
just right for my fingers, I play it faster than my own (which i am used to!)
modern Yani A992 alto. After 2 1/2 hours of playing i'm starting to get my
mouth around it and it's making a beautiful, deep mellow sound..........in
short I LOVE IT.
I recently
finished a MK VI Silver Restoration for Teddy (check it out at the "Finest
Works" page):
Hey Sarge-
You did a fantastic job and I don't mean just the way it
looks, the horn has never
played better and the sound is thicker and
better than before the
plating. Now that my injury is healing I can
really enjoy the
horn. I can hit all the notes easy and the pad job is
top notch. The
action is quiet, smooth and even. I am already thinking
of buying back my old
Conn 10M and having you do it also.
Thanks,
Teddy Yakush
8-3-06
Mike
has been a customer for many years now and has one of the nicest collections of
horns i've heard of:
Hey
there, Steve. Just wanted to drop you a line and convey my thanks and respect
to you for all the work you’ve done for me, including the latest pearl, the
Conn art deco curved soprano. Aside from a number of horns I’ve purchased
from you, you completed overhauls on at least 4 vintage saxes by different
manufacturers, all of which are the most exceptional sounding horns I’ve
ever heard, much less owned. You captured the unique voice of each horn
through meticulous craftsmanship, diligence and an experienced sensitivity
regarding how specific models evolved and how they are set up to play best,
either by original specs or modified. Your many overhaul options to tailor
this is impressive as clearly spelled out on your website, but moreover your
explanations regarding why something is suitable or not, regardless of price,
is even more satisfying. Throughout all of our transactions you have
been friendly, professional, efficient and honest, the latter of which is
something you don't find too often these days in the tech world. People will be
impressed with your website, your stock, your collection - but real musicians
will be drawn by your workmanship and care. I tell folks if you want a vintage
sax, go to the guy who specializes only in vintage saxes. Go check out
Worldwide Sax for quality horns. Thanks again.
Best
regards, Mike Shutello 7-06
Randall
loves his "new" Vintage Zephyr:
Hi Steve,
I just got to play the Zephyr a bit. At first I really struggled and
could not figure it out. And then, just like your paper said, i found
a black tube that was a protection spacer up at the top that i had
missed. From that point, total glee!!!!!!!!! This sax has the
biggest
sound. And talk about free blowing. Geez, I could rob a bank with
this sax!!! Awesome beautiful pure big tone. My oh my I'm impressed
and happy!!!! Nice job man!!!!!!!!!!!!!!
Ok, that's enough e-mailing for right now, I'm going back to
playing!!!!!!!!! If the urge strikes me again, I'd buy a sax from you
in a minute. Nice caring work!!!!!!!
All the best,
Randall
Mar 8, 2006, RFULLMER@socal.rr.com
 |
We
just made a new friend in Japan: |
Hi sarge
I received the Martin alto last friday.
The horn has a fantastic looking and really nice sound!
In addition to the above the horn's action is also awesome, even comparing to a
morden selmer.
I really appreciate the horn, including your fine craftsmanship and the fast
shipment delivery.
I would like to recommend wwsax to everyone that I know who's playing sax.
Cheers,
Jack salsero@tkm.att.ne.jp
Mon, 26 Dec 2005
Matt has had a few
saxes rebuilt here... he was very happy with his tenor premium rebuild:
 |
<iets@whidbey.net>
To: "wwsax" <wwsax@verizon.net>
Hey Steve - Just wanted to drop a note to say how much I'm enjoying the
horns. I wanted to particularly note how the action on the tenor has
improved. I
was guarded in my expectations, but it is much nicer than I had even hoped
it might be. Now that I've had a chance to look it over real careful,
and play
it up and down thoroughly, I can see the meticulous care you've given it.
All the little details, like teflon on the bottom of the LH pinky stack and
the perfect adjustment on pad and key heights make it play wonderfully.
The alto is playing great, too. The tweaks you gave it last week
really
made a difference.
Thanks again for your great work.
Matt 12-1-05 |
GOT THE
SAX!!!!
Hey
Sarge, the sax came today my kid's still playing as i write, he
he. this is absolutely stunning and it sounds as good
as it
looks, thanks again sooooo much for the hookup. A big thanks again
Frank
Coates 10-6-05
 |
James may
be the luckiest young player i know of... he is now playing an absolutely
beautiful Silver Conn 6m: |
Hi
Steve, Thank you
so much for the amazing work you have done on my silver 6m conn. It's playing
amazingly, I think it is by far and away the best saxophone I have ever
played! The action is absolutely fantastic, I have no problems playing it
after having played any of my other more modern horns. In fact I'm getting to
quite like it! The sound is incredible, it's just what I wanted in a horn. The
sound is extremely deep and rich with a wonderful warmth and brilliance, yet
solid and easy to control. What more can I say! It's perfect and I think you
have done an amazing job! My dream horn! If
anyone ever needs any convincing that you will do the best job around, please
feel free to give them my email and I'll tell them my experience. Thanks so
much.
 |
Dave is a repeat customer and loves
his vintage horns: |
Steve,
The horn is an absolute blast to play! I just love the tone- dark and
warm, with a touch of vinegary edge. It's very unique and obviously
very different than the sound of a contemporary soprano. This is my
first (and only!) soprano, and I was anticipating it to be slow going at
first. This has not been the case- this horn is very easy to play right
off the bat, and the intonation is excellent.
Thank you for your excellent work and communication. Just like my chu
tenor that you rebuilt, the martin is so tight that its hard to believe
that this is a 77 yr old horn!
David <MorrisseyD@sirna.com>
9/2005
 |
Just
made two new friends in Germany, where players are really getting into
vintage saxes and music: |
Hi Sarge,
the martin arrived safely yesterday. I fell immediately in love
with the great bluesy sound and the smooth keywork setup. Ok, she will not win a
beauty contest, but for me she is like a good old girlfriend. This sax is
playing much better than me, so I have to go into the woodshed....
Thanks for these 2 wonderful tenors. Sven (who
ordered a King Super 20, with a premium rebuild) and I recommend you
strongly for your professional, honest and reliable work - that's what counts
all the more in long-distance buying. We both are glad that there is someone out
there feeling responsible to do a good job on these fine saxes from a period
that created the music we love. And with your fine rebuilds we are able to get a
part of this music, that's what makes us feel happy....
If we ever need a complete rebuild of a (maybe german) horn we'd
like to feel free to contact you again.
Thanks
Elmar and Sven
6-05
 |
Keith has just had another of his
players horns equipped with my Premium rebuild, here's what he had to say: |
From: keith
lawrence
To: wwsax
Sent: Tuesday, May 24, 2005 5:29 AM
Subject: Re: King C Melody Project
Hi Steve,
I received the C Melody today and have just finished playing it for several
hours. All I can say is Wow!! Is this the same instrument I sent you. I am
extremely impressed with the improvements you made with intonation. The high D
& E were not playable at all before and now they sound great. My ear and
chromatic tuner are both very happy. The black Roo pads and the flat silver
reso's really helped increase the horns projection. The key work is now very
smooth and fast for late 1920's King sax. I can now play this C Melody with my
KUC worship team with pride. It has been hard for me to play anything that you
did not restore for me. The Martin Tenor (silver) and the Big B silver alto have
received many oohs and aahs from my many KUC church members. This makes the 6th
sax you have restored for me. Three of them are currently on your favorites web
page.
Bob did a great job on the mouthpiece too!! I can now add some more vibrato now
on the ballads. I am using Bob's mouthpieces on all my horns now.
I really appreciate the special care you took restoring this horn. I am sure it
sounds better than new.
You are a true craftsman and a real blessing to Vintage saxophone World Wide
community.
Your friend in Japan,
Keith Lawrence
 |
One
of my favorite 10M's went to Brian: |
From: "Brian Bogle" <bebogle@mail.com>
To: <wwsax@netzero.com>
Sent: Thursday, May 19, 2005 12:22 AM
Subject: Conn 10M 277xxx
Dear Steve,
I have owned many horns in my lifetime from Mark VIs in the 73xxxs to 95xxxs
and a couple of Yamaha 62s. I even had a 1960 King Super 20 but nothing
compares to the 1936 10M that I bought from you in March of 2005. I know
it
wasn't a "looker" but I have been playing it now for two months
and I have all but
retired my 1961 Selmer and my 1937 Conn 30M. I was taken, when I visited
your shop, by the keen action and smooth tone of the horn, but I assumed
that when I got home I would gravitate back to my "comfort" horns.
This never happened!
The guys that I play with keep telling me to bring my "Washington"
horn
because they like it best. I can't begin to understand what you did to the
key action of that old horn but it just blows me away! The intonation is
fantastic! Thank you so
much for being so helpful and for taking the time it took for me to try so
many horns. You are an artist and I hope to send you some of my horns in
the future.
Brian Bogle
P.S. Please use this as a testimonial, if you wish. Cheers, BB
 |
Dick
wanted a really sweet and mellow alto, so i rebuilt a SML Primax i had, for
him and he loves it: |
Hi Sarge,
I received the horn today. All I can say is, "what a piece of work."
It came through in fine shape. It plays fine with my Meyer 6L mpc and the sound
is exactly what I was hoping for. It's not nearly as bright in the upper range;
much smoother too. You do great work. Use me for a reference any time!
Thanks ever so much,
Dick Rerenius29@aol.com
Wednesday, April 13, 2005
 |
Duke
bought one of the nicest Conn 10's we have had pass through here in a long
time... it was a minty 1942 model, i put a premium rebuild into this one and
it's sound was fat and strong: |
From:
Duke Fu
To:
'wwsax'
Sent:
Friday, March 25, 2005 1:56 AM
Subject:
RE: 1942 Conn 10M "Naked Lady" Tenor
Hi
Steve,
I
received the sax on Wednesday and I absolutely love it.
I’ve been playing it non-stop, except when pesky work gets in the
way, and you were right about the sound. Its
very versatile depending on what setup I use.
There is always certain fatness to the sound especially in the bottom
end. I have stuck to buying new saxes
because I was always told that the playing mechanism would be a hindrance.
Although there is a difference, I didn’t have problems playing even
the most difficult pieces. It’s
very fast. This beautiful sax has
found a new home. Thanks Steve
, Duke
 |
JR just bought a
silver "Chu" Tenor from WWS stock. it was a nice one and
he ordered it with the Premium Rebuild/pad setup, here's what he had to say: |
Steve, I wanted to write you a quick note and tell you that I've
been
playing the horn quite a bit and I absolutely love it! I tried playing my
old 1922 Conn the other night, and I don't see how I played that horn for
as long as I did. It is so wonderful to play on a horn that has had a
quality professional setup. Thank you very much for doing such a great job
getting me the horn I've been only dreaming of playing for a few years now.
Thanks again,
JR 3-11-05
 |
Here's one that's a little different,
a customer tried out one of our saxes and didn't care for it... so I
refunded him his full purchase price and I hope that I can be of help again
someday: |
----- Original Message -----
From: "Peter Argyres"
To: "wwsax"
Sent: Monday, February 28, 2005 9:11 PM
Subject: Re: king tempo bari 67,xxx
Hi Steve,
Yes I have the horn-I live on a quiet dead end street so they do that
sometimes. I will be returning the horn though. It plays wonderfully
everywhere except on the low C sharp which blows really constricted-the pad down
there is opening so I don't think its just a settling from the shipping. The
horn is in rougher shape than I'd hoped from the pics. I just need to save
up for a while more to be able to afford a good sounding bari in good shape.
I'll pack it up as nicely as it came and have it heading back to you tomorrow
by UPS and will let you know the tracking number.
Best regards,
Peter
 |
Matt has become
more than a customer, but a friend and i was happy to help him find the sax that
was right for him: |
Steve,
the H Couf tenor is wonderful. The pad job is exquisite, the action is
crisp and light. Your patience, guidance, skills, and dedication to customer
satisfaction helped make my decision to purchase the horn an easy one,
and one that I feel good about. I know I could have bought a horn
from Ebay for less money, but it wouldn't have been any cheaper. The
value of the confidence that comes of buying from a seller who pays so much
attention to great setup, and to ensuring the buyer is satisfied, is worth
much more than the few dollars I might have saved in getting some
mystery horn from somebody known only as something like "dirt_cheap_sax"
or "caveat_emptor_hahaha".
I'm
lucky enough to be within driving distance of your shop. I know many
of your clients and customers are a bit more remote, like in another state
or across an ocean or two. I can sure understand the trepidation one
feels when sending a lot of money to somebody they don't know. I've
seen and played many of the horns you have advertised on your web site, and
can attest that each one is expertly rebuilt and honestly described.
I'm looking forward to having your rebuild a couple of my other saxes.
Money
spent on a horn, or a rebuild, from you is money well spent.
Please feel free to have any potential costumers contact me directly for a
reference, if they would like to hear an objective endorsement as to your
skills and integrity. I'd be honored if you'd add this testimonial to
your website.
Thanks
again for all your help - Matt
Nash 12-04 360 679 4967
 |
Jouni
was pleased with a rare SML alto and soloist mouthpiece we sent to Finland: |
Subject: Alto MCP (Selmersoloist etc)
Hi
Sarge,
Merry
Christmas to you. I finally got the mpc from my friend when he returned.
(the selmer soloist c* /opened to E). You were correct, it seems to make the
middle D easier to get right and it is very different from the late soloist
model they do these days. I thank you for your excellent service and
quality, both the horn and the mpc have been just like you promised. If the
customs and VAT just weren´t so bad I think I would get me a tenor from you
as well. Hope to be around your corner someday in future. Thanks again,
Jouni
Havulinna, happy with SML…
 |
Mike
Shutello just purchased a SML soprano and had this to say: Hey,
Steve. Wanted to thank you again for a really special horn. The SML nickel
soprano is gorgeous and sounds great. It feels so ergonomic in my hands. We will
make beautiful music together! You're the best! - Mike
Nov 2004 |
 |
Rick
just had me rebuild his super 20, with my strongest Premium rebuild, including
Noyak resos: |
"When my local repair man couldn't upgrade my 1972 King
Super 20 tenor to contemporary playing standards, I took it to Steve. He added a
modern left thumb button and replaced the right thumb hook with a Selmer-style
adjustable hook. This made the horn playable on gigs for hours at a time without
pain, and I would strongly recommend these changes for anyone playing a vintage
King or Conn professionally (unless they are exceptionally collectible horns.)
Steve also did a repad with black Prestini pads and crinkly metal resonators,
which made an already strong horn even more powerful. All the custom work looks
factory. -- Rick Campbell, Portland, Oregon"
 |
Michael
just purchased a great "The Martin Bari", with a premium rebuild, here
are his comments: |
From: michael.paul.semann@juno.com
To: <wwsax@netzero.com>
Sent: Saturday, July 31, 2004 4:38 PM Subject: Re: the bari
Steve, The minute I started out to get a bite to eat, sure enough
here comes the FEDEX truck. I couldn't be more pleased with the horn
Steve. The time and energy you spent on the setup is evident from the first few
minutes of playing. Great sound and easy blowing from the altissimo down to low
B/Bb. It plays better than any Committee or Magna Bari I have ever played.
The horn is in even better shape than the pics and description let on. I can't
thank you enough for your expertise and fantastic service/products. Thank you
for the care you took to prep and pack the horn for shipment as well. It arrived
in perfect adjustment without any of the quirks that sometimes happen do to
rough handling during shipping etc. You can definitely mark this
puppy SOLD on the web site! Thanks again, and don't forget to let me know when
the Martin Tenor is about ready. Take care and have a great weekend.
Michael.
 |
Joe sent me his super 20 alto for a
total rebuild and lacquer stripping, it came out really nice... |
Steve,
Received the saxophone today in Taiwan and it arrived without any damage. With
regards to the finish and the work performed, I am elated, no word can
describe the feeling once I removed the bubble wrap, and the horn is stunning,
thank you. The horn is resurrected where the action is smooth with
flawless tone. You get plenty of praise for the work you do but I will
make if short and sweet - there is only one name under heaven thou shall call
upon to be saved, and there is only one place under heaven thou shall get thy
saxophone restored, World Wide Sax. Thank you very much for the
great work, wish you the best and you ARE the BEST. Joe Hsu
 |
Jay sent
me his beautiful Big B tenor, for a premium buescher style rebuild, here are his
comments: |
03-26-04
Steve,
I
received the sax yesterday. Thank you for such prompt shipping. The packaging
was the best I’ve ever seen. I appreciate the care you took to secure the
keys.
I
gave it a good workout last night. I must say that your work exceeded my
expectations. The action on this sax is silky smooth and even. I played it
against a chromatic tuner and intonation is spot on. I was a little surprised
that even the palm key notes didn’t tend to go a little sharp. The G# key is a
little sticky, but that’s to be expected. I put some gig dust on it and its
fine. I’m thrilled at how free blowing this sax is, especially at the bottom
end. Since I play Bueschers, I know enough to keep up air stream on low D and
not wimp out. I played back and forth between my older Aristocrat and this one.
While there are subtle differences, both horns have that lush gorgeous Buescher
tone. I’m going to enjoy this Big B immensely, thanks to your outstanding
service. My modern horn is a Yanagisawa, which I really like-no complaints, but
as I was playing the Bueschers last night, I kept thinking “why would anyone not
want to play these great vintage horns?” We hear all about ergonomic
advantages of newer horns, but these Aristocrats are very comfortable to play.
And who can argue about the tone? Thanks again for the great service. You are a
true professional. I look forward to working with you again.
Jay
Stover jstover@faziomarketing.com
Jay
Stover jstover@faziomarketing.com
 |
I just rebuilt Dave's Keilwerth SX90R BG for him, with
a Premium Saxgourmet style rebuild:
|
Well Sarge... I received my horn this
morning at about 9:30am cst, and I CAN'T STOP PLAYING HER!
I have to admit, you read remarks from
customers and you think, it can't really be this great. But WOW, it is so
quiet and responsive. Even on the low notes below 'C'. I'm using the
same metal mouthpiece I had been and I can't believe this horn.
I can't say thank you enough. You've
definitely got my business!!
Now I'm trying to talk my wife into an
early birthday, father's day, x-mas present and send you that mark VI.
 |
Joakim,
who lives in Sweden just purchased a very nice MK VI baritone and
here's what he says:
Hi Steve! Terrific baritone! Sounds
really good! You´ve done a nice work on the instrument! The sax
arrived safely. Of course I keep it. It´s been a pleasure!
It´s allright to use my name as a reference, with contacts through my email
address: joakimnordahl10@hotmail.com.
regards Joakim N |
 | Justin just rebuilt a really nice silver Aristo tenor and sent it to Victoria B.C., here is what the proud new owner had to say: |
I finally got the
saxophone from my university office today. The saxophone is
great; I especially love the dark tone this baby has.
I feel really excited and
ready to get a mouthpiece to match this great sax.
Thank you very much.
In the future, I am looking forward to get a soprano sax from you. One
more time, thank you.
Steve, alto_alto@hotmail.com
1-5-04
 |
This is the third or fourth horn I've rebuilt for Jack,
he sure has some beauties:
|
Horn arrived today. It is beautiful and sounds terrific. I have
played a lot of modern soprano saxophones and have never liked the tone.
The Martin is just as advertised and so much fun to play. Amazing how
a horn made in 1927 can sound so much better than a modern instrument.
I have been very lucky to find a craftsman with your skills that
is dedicated to rebuilding vintage saxophones.
Thanks so much for all your very dedicated and skillful work. The
vintage horns I sent you were not always the easiest to get back into
playing condition.
 |
Another great American vintage sax finds a happy home in
Japan:
|
Hi Steve,
I want to let you know the MARTIN alto
arrived here yesterday( Sunday morning) .
No damage in appearance was found with
having been safely travelled to Japan.
I tried to play it and hear its sound
...... Higher keys are easy to blow but lowers not.
I think it takes more time for me to be
familliar with this new comer sax.
The instrument looks beautiful for its age.
I am satisfied with it.
Thanks for your polishing, repadding and
rebuilding work for it.
It's nice to meet you again.
 |
Jacques just received
his beautiful gold plated "Chu" alto in his home in France, here's
what he had to say: |
I'm in receipt of the conn .
It is a fantastic horn . It is a good match with
my meyer bros.
It is the first time that i have an artist model
in hand and i never seen a such engraving work , simply stunning!
The conn workers was truly artists and the chu
model was
the best model at this time. And even today ...
why they don't make horn like this today ?????
Could you supply a tenor???
 |
Chris just received his
rare martin troubador bari: |
hi steve
the martin bari arrived today at 10.30 am in almost perfect shape.
i immediately played it with the martin mpc and it sounds great, makes the
walls trembling
I definitely appreciated to get in contact with you and very, very happy
that the whole transaction-transportation worked out that good --- but the
most important: THE SAX PLAYS GREAT AND IS VERY WELL IN TUNE (for such an
old instrument) AND HAS A WONDERFUL RICH SOUND --- it's just as you
described it... and i think your very good craftsmanship to rebuild vintage
horns
thank you very much for your kind support on the phone (what you played for
me) and your presence as a very nice person!!
i will use the sax on a live gig for the first time this sunday and will
email you about how it came out
thanks a lot from Austria and i don't forget: hasta la vista baby
chris
chris.gonsior@i-one.at (christian gonsior)
 |
Yohann just purchased
our King super 20 bari, here is his email: |
Hey,
Just to say thanks you again. Given the circumstances (UPS
problems), you've showed great professionalism and kindness, which I greatly
appreciated. I knew it was gonna be a thrill from the very first scale I
played and then it kept getting better. The custom without the spoiler has a
nice, almost vintage sound but the spoiler gives it a lot more edge and the
intonation is still there. I tried different reeds and the fibracell seems to be
the best so far. The high notes are easy to blow and the tone is just as you
described, rich and bright for a bari. I had never experienced this kind of set
up (pads and resos) and cannot really compare but I like it as it is. The only
(minor) drawbacks I can see are in the key layout, the low Bb is far and the
octave key is somewhat oddly shaped: it's pretty but I need to bend my thumb in
an uncomfortable position when I play the highest notes.
Anyway, I'm finishing my PhD this summer and will be able to spend more time on
the sax, harp and organ, maybe get a band together. I will keep in touch and
will warmly recommend your business whenever I have a chance to. Maybe I'll stop
by and get to meet you someday, I'd really like to check out Washington! Anyhow,
I'm sure
Thanks again Steve and it's been a pleasure to deal with you.
Take good care.
Yohann
 |
We have some new
friends in Australia, who just bought a Buffet alto: |
Thank you for saxophone Buffet. It is grate!
It give us what we expected!
Also thank you for packaging.
It was pleasure to have a business with you.
We hope it not a last. We think to buy Buffet
Super Dynaction Tenor as soon as we save some money.
Thank you once again!
Zeal
& Margarita
 |
Karen and her son just
purchased one of my favorites, a Martin Magna Alto: |
Steve
Just wanted you to know we received the Martin Magna
Elkhart Saxaphone and my son is thrilled with it.
THANKS!
Karen Grossman KGrossman5@aol.com
 |
Sebastian lives up in Toronto and just bought a 1949
Super 20 with a Premium Repad.
That thing is a work of art... full pearls and engraving on the bell keys,
sterling silver neck... wow!
|
Sarge,
Sorry it's taken me so long to get back to you, but I've been too busy
playing my FAT Super 20.
To begin with, I was extremely impressed with the way you meticulously
packed the horn up. Superior attention to detail! Factories don't
even
take that much time on their packaging. By the time I got home (I had UPS
change the delivery location to my workplace), I couldn't decide how I could
spend equal time looking at the horn and harnessing its mighty power. I
decided to practice in front of a full-length mirror!
Full-points for the action - it's as taught and fast as my Series III Alto.
This horn is so strong that it laughs at me if I even try to play softly.
It's like trying to drive a Porsche in first gear on the Autobahn!
As for the Personaline, ay yi yi. Power like that could easily be used for
evil instead of good.
Thank you so much,
Sebastian Knox
Toronto, Canada
p.s. Thank you also for the tips on 'breaking-in' the newly repadded horn.
I think that in a month or so those pads will be fully conditioned and ready
to go.
 |
Dennis just
bought a terrific New King soprano and had it shipped to him in
Canada. |
Sax arrived on Thursday last. Beautiful
work! My recommendation to anyone that wants professional craftsmanship with excellent
service to boot. Will send you a note (no pun intended) a year from now
to let you know how I'm doing. Will be taking lessons initially to
accelerate the memory recall (what's left of it) from forty years ago.
All the best and thanks again for the
encouragement.
 |
John just purchased a
beautiful Buescher Top Hat and Cane Tenor... here's his comment: |
It
is all that I had expected, GORGEOUS, truly a fine instrument. My playing
ability is really minimal at this time, but should move rapidly with
lessons and practice. I can't imagine owning another Horn.
I'll
be looking for an Alto for my daughter in the near future and hope to find
something equally exquisite...There were some horns produced in the late '30s
( I think) possibly
Martin that had some great "Art Deco"... Airplanes, city skylines
etc. engraving on them that were reputed to be good instruments I think that
one of these may suit the the situation... Any Ideas?
 |
Thanks
for the nice email Glen:
|
-
Hi,
I would just like all who may do business with
World Wide Sax that I live in the area and visited the
shop the day before Christmas. I called ahead as he
recommends and I visited the shop shortly afterward.
This guy has amazing talent in fixing damaged horns, I
witnessed his efforts on the horn he was fixing at
Christmas time and I was amazed it could have even
been fixed. If that wasn't enough I looked at a horn
and he even played it for me while I was there. He
offered to let me play it as well. I will be buying a
vintage horn from World Wide Sax soon in the
confidence it was refurbished by the hands of a true
Master of saxophones.
All the Best,
Glenn Oaks
glenn_oaks@yahoo.com
 |
Another new country
heard from! |
Hi Steve,
Thank you very much for the mouthpiece. It was a true
pleasure to do business with you. The mouthpiece plays
great! Now you can add Sweden to your list of countries
with satisfied customers. I will not hesitate doing
business with you again.
Thanks, and happy new year!
Regards,
Joakim Ekström
 |
I hope everyone got a chance to
see Randall's Buescher Top Hat tenor, while I was featuring it. If not
it's on the finest works page now. Here is his comment, after the TH&C
finally found it's way home to Japan after a near 6 month long restoration,
including silver plating at Anderson and massive custom engraving. It is a
stunning horn and a true one of a kind: |
Hi
Steve,
I have been meaning to write about
the Buescher 400 tenor, but with work demands being high, I haven't had enough
time to sit down and write.
The
Buescher 400 TH&C you restored for me was foolishly traded two years ago for
a soprano. After trading I regretted it and always vowed to try to get another
horn just like it. I was astounded when, after owning the horn for about a year,
the guy who bought it was interested in trading it for a copper Keilwerth SX90RC
tenor I had. I jumped at the chance and got my old flame back. It wasn't in as
good a condition as before and it wreaked of cigarettes too. I decided that I if
I could, I would make this horn shine again and turn it into the ONE horn I
would always want to keep from first, a playing standpoint and secondly, from an
aesthetic standpoint.
That's when I found you and WWS.
Steve, this horn is just exactly that....it is the ONE horn I
will always keep and play because it is as near perfect as a sax can get. Of
course it is a complete knockout looks-wise....EVERYONE who sees it is literally
gate-mouthed ....even DRUMMERS! One Japanese guy who plays who saw it on your
homepage said that, " ...when I look at it I feel faint!" The sound is
equally incredible, especially with the resonators, and the action is better
than any Selmer I have ever played.
In short, it and the straight alto you did for me have become
just what I envisioned- my dream horns. They are, in one word, superlative. I am
so incredibly happy with them and I will definitely be back. I still have those
two SML silver plate Coleman Hawkins horns to restore in the near future!
Many many heartfelt thanks to you!
Randall Pennington 10-02
 |
Junichi lives
in Japan and just purchased a beautiful Conn curved soprano:
|
Dear Steve.
Saxophone is arrived at 10:30 a.m. JST. It is very beautiful and a pitch is also
good. Since I had you pack up severely, there was no trouble. Since your
homepage is seen from now on, and if there is a good musical instrument, I will
need your help well. Thank you very much.
From Junichi Miyazaki
 |
Wibo is living in Berlin
Russia and just got a great playing Brillhart tonalin alto piece:
|
Hello Steve, I finally got the mouthpiece.
German customs held her back because I had to pay some taxes. So I went to them
yesterday when they informed me. Beautiful mouthpiece - quite different from the
mp's I have. I have to look for strong reeds to adjust her to my saxes but I
think that will work out fine. Thanks again for your service and I think we will
stay in touch. You always have interesting saxophones + mp's to offer... so i
might contact you some time again...
Many greetings from Berlin, Wibo
Wierda. wibowierda@yahoo.com
 |
Richard Booth is a huge vintage
buff and a Buescher aficionado, from "down under" in Australia.
He got a Big old "Pickle" mpce for his bass sax, now if he just
had time to play it... |
Yes,
I got the Bass mpc which arrived on Friday. Sorry, I have been flat out
gigging and teaching so I haven't been doing very much else at the moment.
Looks good. Later
God Bless
Bootman
Richard Booth
www.bootmanmusic.com
 |
Mikko plays a the Martin Bari
and got an authentic martin mouthpiece for it: |
Hi,
I got the mouthpiece today. I already tried it and it feels great.
Just what I wanted. Thanks.
Mikko. Helsinki, Finland
 |
Randall has had Premium rebuilds
done on three of his saxes now, the first a buescher bari that was in such rough
shape I tried to convince him to send it back, but it turned out to be a
fantastic playing sax, after some work... here is what he had to say after a
restoation of his Keilwerth Stritch (that is featured on our new Works, Past and
Present page: |
Hi
Steve,
IT'S HERE!
And yes, the key arrived with the horn.
I got home late yesterday from the university, had meetings all day...and I
had just long enough to take a peek at it before I had to go to band
practice. I was reminded of my ex-girlfriend, the stripper, who had
42dd's....it was HARD to concentrate on driving with her in the car!
I loaded it up and took it....
When I opened the case at practice, everyone was just stunned!
Even the brass players were drooling! The Japanese players were commenting,
"treasure" "heirloom" "piece of art"
"unreal" and the sound brought even
more comments, "deep" "beautiful" and
"tenor-like". My tenor player, who is
NOT an alto fan at all, says he could come to like the alto if he could get
that kind of sound.
I uncorked it put he piece on it and it just wailed! It seems to play a bit
crisper that it did before; but I noticed no big tonal differences, which
makes me happy. I think the resos also make it respond better.
Sarge, you've done it again!
This horn is 100 times better, both mechanically and cosmetically than
before....and the sound, well ahhhhhh!
Please put my response in your letters section....this horn is just out and
out superb.
Many thanks!
Randall ranran@gol.com (Dr. Randall Pennington Jr.)
 |
The Frazier family just got a
beautiful Buffet alto for their daughter and had this to say: |
Steve.
We received Buffet 1952 SA Alto in great condition. It's absolutely
fantastic. My daughter only had a short time to try it out, with her
previous hard rubber mouthpiece. The sound was just beautiful - the
sound she was after. Your advice was perfect. She's at Dad's house
now, hopefully she can email you herself. She can't wait to try out
the new mouthpieces.
Thank you, thank you, thank you
Beth Frazier, grateful mom
---------------------------------------------------------------
Beth Frazier
e-mail frazier@wuchem.wustl.edu
& sbfrazier@mindspring.com 8-02
 |
Thanks for your kind words
Jerry: |
Hi Steve,
Just a quick thank you for your knowledge and integrity and the quality your
work on the two saxes I purchased from you. Two years ago I purchased a
Conn 6M VIII silver alto - vintage 1936. It plays and sounds like a
dream. Just a few months ago, I returned to purchase a straight silver
Martin soprano - vintage 1927. It also plays so easy and sounds wonderful,
just right for our Dixieland group, Special Session. Because I
live a couple of hours south of you, it was a snap to jump in the car and drive
to Everett to check these two horns out prior to purchase.
You totally restored both instruments. They were exactly as advertised and
just what I was looking for. It would be hard to believe that I could have
found saxes better suited to my needs than these two. I don't know
where you find these vintage horns, but you really do know how to restore
them to perfect condition. Thanks again.
Jerry Hendricks, Olympia, Washington:
7-02
 |
Randall
bought a Big B bari, which needed everything fixed and he also ordered a
premium rebuild. It took some work, but came out sounding just
great. We shipped it to Japan for him and here's his comment: |
Hi Steve,
I wanted to give you a report on the bari. After it arrived it seemed just
fine on a look over, but played a little quirky (I know this is par for the
course on a shipped bari...I have NEVER shipped a bari that didn't need
adjustment when it arrived) so I took it in to get it adjusted and well, I
have to say that you did an absolutely FANTASTIC rebuild! This horn plays
like a million bucks and although it was originally purchased to be my back
up, I can easily see it becoming my MAIN gigging horn (at least when there
is no need for low A!)- it sounds THAT nice!
My repairman looked at your work and gave his hard-to-get "thumbs up"
and
when he heard the sound of this horn his eyes went wide, as did all the
others who heard it.
The intonation is spot on, and the entire range plays effortlessly.
I honestly didn't expect this horn to ever play THIS nicely.
I have decided to call it "Lazarus". You certainly raised it from the
dead!
If you'd like to put my email in your customer comments area, go right
ahead...I am happy to let anyone know what you can do!
Many thanks,
Randall 7-02
 |
Another country heard from... we
just sent a brillhart bari mpce to Holland: |
I got it just before the weekend, so I had time to
practise on it. I like it very much. I think it's better than the Selmer I
play on untill now, but I have to get used to it and study on it.
I still want to find a Tonalin Baritone
mouthpiece, but these are very hard to find.
 |
Jason just purchased a N.Y.
Meyer #10 tenor mpce, it was a good one. |
hello, thanks
for everything, I am very, very, happy with the mouthpiece. It plays just like
my 10* hard rubber link that I love so much, just a couple sizes smaller in the
tip. I think I'll use this mouthpiece when I have a long gig, since the 10*
requires so much effort. If you come across anything else like this, especially
something larger than the .106mm opening, I would be very interested. Thanks
again.
Jason Hassenstab.
jasonhassenstab@yahoo.com 7-5-02
 |
Here
is a super nice letter from a rebuild customer: |
jimreed@jazzatnite.com writes:
Steve,
It’s here!!! And, does it ever sound beautiful. I’d
never know it’s the same horn, with the liquid ease of
the keywork and mellow, yet powerful, sound that comes
out of it now. Along with the new life your total
rebuild gave my Conn 6M VIII, the Runyon Custom SR
mouthpiece makes it all just perfect. I tried my old
Runyon standard, an old Chedeville I like, and few
others around the house but kept coming back to the
hot red one you sent. The horn was packed extremely
well and came out of the box sounding fabulous. I
blew some old favorites until my chops were spongy,
serenaded my wife with love songs when she got home
from work, then sat down to let you know what a
marvelous gift of sound your rebuild has given my
alto.
May your life be as full of beauty and joy as you have
made mine,
Jim 6-02
 |
Joe bought a beautiful Silver
Plated Conn "Chu" Portrait model, a couple years ago and he keeps in
touch... we like that! |
Hi Steve, How are things in WA.? Doing good here. I had my Chu Alto in
for
a few adjustments. I took it to the same friend that adjusted my tenor, he
took one look at the alto and said " we often get older sax's in for
repair, but never in this good of condition" He was quite impressed
with
the horn and the rebuild you did. I had some leak in the low notes so he
fixed it for me. In an email he said it plays superbly now!
Take care, Joe joseph.podmostko@verizon.com
 |
Matt just bought our Keilwerth
stencil bari...that one sure had a big sound:
|
I
just thought I'd let you know how thrilled I am with the bari. This is
my first experience with anything better than a student horn, and I'm amazed
at the difference. The horn seems to come alive in my hands, and it has
tremendous power. At a rehearsal with my R&B band, the guitarist, keyboard
player and drummer were all able to hear me without a mike.
Your
premium rebuild is superb - key action is very fast and smooth, and the
intonation is nearly flawless throughout the range.
So
as you can probably tell, I'll be keeping the horn. Thanks again!
 |
Silvio is living in Germany now
and we just sent him a The Martin Tenor: |
Steve,
today your package arrived in perfect shape. Well, what can I say - I'm in love
with the horn! It's a beauty (well, to me, it is!) with a wonderful sound. Right
up to now I only had a Thomann, which is a german student's horn line (I only
started out last year after I had learned trumpet and french horn as a child),
so I might be more easily impressed, but also my
Sax- and Jazz-Teacher (who happens to be from the U.S.) likes it a lot. Thanks
for a great job on that horn! Should I ever feel the urge to have a bari, I
guess I know where I have to look first! :)
Kind regards,
Silvio Peters silviopeter@gmx.de 4-02
 |
Steven W just finally got
his SML bari back from a 3 month total overhaul, with silver plate and Premium
Pad job...so pretty I'll include some pics below: |
Well this redone SML bari is getting me barked at a wee bit - first it is so
pretty as to distract - you'd think I had brought a stripper in rather than
a Bari Sax - and then as tribute to your rework - it is truely a thunder
horn!
Absolutely room filling in presence! The tonal qualities are so full to
somehow seem to fill up the soundspace even when not being played loud.
Given a good push and it becomes a virtural assult-weapon of Bari saxes.
Had Big Band Trumpet Players in mass with thumbs-up after playing some the
nice grunty-licks! Director is muttering about a damn lead bari
player.....
Maybe I should have taken the spoiler out, eh?
Blew-up my first fibracell reed as well - the thing suddenly went all fuzzy!
Now how do I get a matching Bass Sax that howls??!! Steve abesgang@yahoo.com
look!
3-02
 |
Here's a note from a local
customer, who is enjoying his vintage buescher soprano: |
albright@whidbey.net writes:
Hi Steve,
I just wanted to send an update on my beautiful sax. I am having a great time discovering this wonderful horn. I am starting to master the "octave on the D-G keys" problem that we talked about in previous emails. I surprised myself the other day while I was walking through the house blowing tunes. I reached a spot in the house that had an incredible acoustic reverb thing going on and just stood there blowing. The old tonal quality had returned and for a few minutes I just stood there basking in the rich, mellow sounds from this marvelous old horn. I can't say enough about the horn, the service, your advice...the whole experience of buying the old girl and making her mine. Thanks.
I have a friend who is searching for a vintage Buffet wood clarinet. I know you specialize in saxes, but do you have a source for this one?
Have a great day.
Dustin Albright
 |
Bill just took advantage of our
three day trial on mouthpieces to purchase a vintage M.C. Gregory alto piece: |
Steve - I tried it out for 4 hours yesterday, and I'm very satisfied. Its a
great mouthpiece. I also appreciate the 3 day trial policy, as well as your
quick delivery and advertising accuracy. I'll recommend you to my
friends.
Thanks,
Bill wm7850@msn.com
 |
Pete just had a SML alto sent to
him in Canada and he loves it: |
peter.gose@sk.sympatico.ca writes:
Dear Steve, The SML alto arrived safe and sound today, and I've been having a great time with it. What a sound! Love the action and even the smell! This horn is going to be a lot of fun and an inspiration to practice. Thanks for a great transaction and I look forward to another some day.
all the best, Peter Gose
 |
Stuart has come here for three sax's
in total now, here are his feelings: 12-01
|
Steve: I'm very happy with all three of
my Martin saxes! Alto+Tenor Handcraft Silver-plated models, but the real
sleeper was the Martin
Typewriter Silver-plated Soprano! It takes a little getting used to-with
its different style of keys-but after that it plays and sounds
great! Also I bought the best Tenor mouthpiece I've ever
heard. A Runyon SR
Custom #9 for less than $80.00!!! Steve, you are VERY easy to work
with! You get 5 stars from me, Stuart blue25saturn@webtv.net
 |
10-15-01, David
just had his 10m totally rebuilt:
Hi
Steve,
My Conn tenor arrived back home safely yesterday and I hardly recognized it!
Wow Steve, what a great rebuild job- it looks and sounds beautiful! It
even
smells good :>) My Great Uncle Bob would be very happy to know that his
old
Conn lives on! I'd be more than happy to serve as a reference for your
rebuild skills.
Thanks!
David MorrisD@rpi.com
(Morrissey, David)
|
 |
James has just purchased a beautiful silver plated Conn 12M Baritone. |
jbrady@tidalwave.net (James W Brady
Jr.)
Last night I brought the Naked Lady bari
home and played her until late into the night. What a wonderful and
extraordinary horn!
She jumped alive in my hands with absolutely
no hesitation, like she was waiting for me to pick her up all these years.
I had no idea that a vintage bari could play so easily. She handles
like a new pro alto, but so much bassier and with such character. The
lowest notes ring out with awesome tones and just a slight puff on
my part. Up the register and back down again the action works so
fluidly, she seems to want to play herself. I do not doubt that she
actually plays better now than the day that she left the Conn factory
over 50 years ago. Great work Steve!
The silver plate is excellent just like you
said, and polished beautifully and those black Prestini pads are very cool.
To top it all off, the Steelay 1926 pickle mouthpiece that you picked out is
exactly right for this vintage bari. The tonal qualities are delicious!
Holding this old gal by my side swells me
with pride. I look forward to spending many, many happy hours together
exploring her tones. Don't tell my wife ... but I have fallen in
love again
 |
Roger just purchased one of our
most vintage horns, a beautiful Tenor C-Melody. i was surprised with the
beautiful sound these horns offer and the much maligned intonation was really
quite good. |
The C-Melody arrived yesterday and I absolutely love it. It's a
keeper! I'll be happy to recommend your work to anyone, at any
time.
One thing that's remarkable about a vintage saxophone, such as my 1919 Conn,
is how it feels to the touch. It's difficult to put this in words.
It has a completely different feeling than when one holds a new Selmer.
In addition, there is a sense of respect about an instrument such as this -- that
it has seen close to the entire history of jazz in it's 82 years -- that
is missing from using a new horn. It's like being in the presence of a
wise Elder.
I look forward to doing business with you again in the near future. As
we discussed, please keep your eye out for a C Soprano.
 |
Tim |
Thanks Steve,
I greatly appreciate all the help you gave me. I'd
recommend you to anyone. Truly a person who enjoys his profession.
Thank you very much.
-Tim
 |
Mark Vinci is a fantastic N.Y.
city player, he plays Carnegie Hall and nationally, he sent me his C.D.
and I loved it. Great modern, yet traditional style, solid jazz, powerful
playing: |
Steve !!
5-16-01
How are you? I got the (6M VIII) alto yesterday (Wed). You did a
magnificent job on the overhaul, as I knew you would. Somehow it doesn't feel
like a new overhaul. It feels as though the horn is already totally solid and
settled !!
I've never experienced that before Steve. It's been my
experience that it takes a month or more to get that "feeling" of
settledness and solidness. Really amazing !!
I'm so sorry to say that I don't think this alto
will be good fit for
me. It plays with a big fat sound all over, but it would take a lot of time
to get used to the spacing of the notes in the upper register (especially in
the left hand). I would love you to use my name for endorsing
you and your premium overhaul. I believe that
sometime in the next year I'll be wanting to have one of my superbalanced altos
goldplated with your premium overhaul and (re-picked or engraved more - if
possible).
Would you consider doing this?
I'm coming out to the coast at the end of
June and it's possible I
may be up in your area. Maybe I could stop by and we could play some duets !!
I hope to see you. Thank you so much and again I'm so sorry that the alto didn't
fit. All the Best,
Mark
 |
Paul finally got that sweet
Selmer B.A. tenor I know you were all looking at, after a "bit of a
tussle" with his postal service. |
After its tour of central & south
England the BA arrived today safe and sound thanks to your excellent packing.
I have just been road testing it and... wow . it is a fantastic horn with
great tone colour and plays real easy & in tune. I just hitched it up and
we connected straight away. It is BETTER than you described I think - the set
up seems real good , the rods are straight and it is generally very tight....
the few repairs you noted are indeed hardly noticeable. The "joe
henderson" played look it has is simply fantastic - it sure has character
in both sound & looks. I guess you can tell I like it!! Well i have packed
away my favourite Mk VI for now and am off out to gig tonight with my new BA .
Thanks for your great service- shame the UK postal
service are not quite so good!
But the wait has indeed been well worth it in the
end!
Paul
 |
Andrea lives in Verona Italy, and loved her
Selmer Soloist C**,
|
the selmer soloist has arrived today in very good
conditions, it plays very good, thanx!
ps If you will have in the next future a HR Tenor
Link Early Babbitt or an older one, please let me know!
 |
Vic, a very nice chap in the UK,
had this to say when he played his Buescher Big B tenor, with the Premium
Pad Job: |
Steve,
After a cock-up by the local delivery
service, I went and picked her
up from the depot myself. She arrived safely, very well packed, and is
exactly as you described, but how does she play?
She plays like an Angel! - she speaks
so easy, in all registers and
has a wonderful warmth that doesn't coarsen if you play loud or fast, she
just gets stronger. But the most surprising thing, and something that you
didn't mention, is that she is full of tunes! I've been blowing away for
over an hour before writing this, and she just keeps on showing me new
things. Wonderful! Thank you very much for a superb professional service,
and a horn that I'll treasure. Feel free to use this commendation on your
website, if you wish,
Very best Regards,
Vic
Vic.Hibbert@btinternet.com
 |
Gene just got his Silver plated
King Zephyr Baritone Sax, boy was it a beauty... |
Steve- Hope you got my last message. The bari is great. An incredible
find
and exactly as described. I appreciated both the way you kept me updated as
the rebuild progressed, and the craftsmanship that went into it.
Gene hickey
okrmwel@hotmail.com
3-12-01
Joe
liked the aristo...
Steve,
My '47 Aristocrat did, in fact, just arrive. And I thank you for striving to
get it out to me quickly (and packaging it so carefully). It's lovely, and (I
can already tell) full of beautiful ghosts that it will be my pleasure to
learn to release back into the world.
Joe Henry
 |
Julie lives in Australia and
just received her vintage soprano sax: |
Its lunch time January 11th and it just arrived at my door. It's unreal sounds
just what I wanted. Got held up at customs, they got me for GST 10% and
a small customs fee, but no worries I can claim that back. This has been
a long anticipated arrival, and one worth waiting for. Thanks very much
for all your help. This was my first time at buying something off the net.
I love the sax, it's going to be great for recording. I'll keep in
touch via your site.
See ya, A very happy Julie A.
 |
Frank just purchased a Vintage Otto Link Baritone mpce...we think he liked it:
Steve,
|
The sound is Thick ,Dark,
and Rich. It plays even throughout the range of the horn and the pitch
is incredible.
 |
Here's an unsolicited note from
Ray Davidson, about the Selmer Mk VI alto he just bought: |
Dear Steve,
The Mark VI alto I purchased from you looked and played exactly as you
described it. What a great horn! The action was really smooth and
the
sound was just beautiful! Your technical understanding, follow up and
assistance with my questions was greatly appreciated. It is refreshing
to do business with someone that truly understands the lost art of good
customer service. This was my first major purchase over the internet
and unsure of how business like this transacts. Everything went
smoothly and no problems. Thanks again for all your help. I will
certainly do business with you again in the future.
Sincerely,
Ray Davidson <raydavid@swbell.net>
 |
We sold Tatsuya in
Japan, an otto link mpce and worked on one of his own pieces for him: |
Mouthpieces arrive today safely.
Lyle became little bit better, and Link is excellent!
Thanks for took care of me.
 |
I bet you think every deal works
out smoothly, here's a buyer that tried a bari sax, but didn't care for it
and returned it: |
Hope your Christmas was a good one!
I just got home from Colorado and your checks were in my mailbox. Thanks so
much.
Have a very Happy New Year!!!
I'm sorry that this horn didn't work out for me,
but I think It should find a fine home.
I appreciate all your time and help. You have
been great to deal with, and I would recommend your shop Highly.
 |
We have sent quite a few horns
to Japan, here is one customers comment: |
Steve,
I played the martin ,
It has very worm fat sound.
great horn. I'm so happy, thank you.
Masakuni first purchased a
Martin tenor
and then a SML alto.
 |
Dave who attends College in
Canada, got himself a Dolnet Tenor. These fine French saxes are greatly
under appreciated, except by Dave, now...
|
From: "David" <8dlr@qlink.queensu.ca>
Hi Steve,
I finally got the tenor sax you sent my parents. I've been playing it the
past few days and I'm extremely satisfied - the action is smooth, it sounds
great, and it's a joy to play. Thank you again for your work in
refurbishing it. I'll enjoy playing it for years to come.
Thanks again,
Dave Reid
 |
Shane just got one of our
totally rebuilt Martin alto's and has decided his 6m just has to go in the
closet for a while. |
Steve,
I wanted to personally thank you for the wonderful Martin! It is more than
I expected it to be, it is in great condition for it's age and you did
excellent work on it. The beauty of the sound from this horn is like none
other that I have heard and I think my Conn will now be spending a lot more
time in the case! You did a great job describing the horn to me and you
conduct business the way that it should be conducted. I will look no
further than World Wide Sax when I have future saxophone needs.
Again, thank you Steve.
9-17-00
Shane <
ukblue2@worldnet.att.net >
 |
James just purchased a Couesnon Baritone sax, and was
pleased:
|
Greetings Steve,
Sorry for the delay. The Couesnon arrived on schedule Sept 13. I haven't
been able to put it down, hence the negligence about writing. The sax
sounds great. Certainly it would sound even better in more capable hands,
but I am thoroughly enjoying it. Your restoration work is superb. While I
hope not to need to, do you restore saxes on a contract basis? I have a
Selmer Mark VI alto, Varitone that is in good shape but should it ever
need work I'd hope to send it to someone who would treat it as well as you
have the sax I bought from you. Once
again. The Couesnon sounds superb. You've done an extremely masterful job
with repadding and recorking it as needed. The sax stays in tune wonderfully
across its entire range, and altissimo fingerings are also easily
reached. It has a nice fat sound at the low end, and I haven't
needed to adjust the left-hand
table mechanism, since it is already easy
to move between them
Sincerely,
James
 |
Susan P. and her son Nico, just
purchased a MK VI Baritone at one of our ebay auctions, and were pleased enough
to write this nice unsolicited letter: |
Steve-it looks as if Nico beat me to the
feedback forum. I think his message was even better than what I had composed
"Great dealer; very knowledgeable; would definitely do business again;
super horn". Please let me know if you ever need a more direct
recommendation. (and thank you for your positive feedback!)
I am going to check with our homeowners'
insurance company--a copy of the auction is a good idea-they won't have to
take my word for the worth.
Nico had opened the box and played the sax for
his dad before I arrived Friday, so he showed it to me later on in the evening
when I got home. Nico got out the case, opened it, and just gazed at the bari.
Then said, when asked what he thought (after all that anticipation), very
quietly, "It's great." It takes a lot to awe a teenager. I think he
really, really likes it. The sound is wonderful-a beaurtiful voice.
Thank you once again for your
patience--and for the personal feedback when we called. One of the factors
that made us want to buy this saxophone was the strong, competent impression
your website made over the months we have been "window shopping"
online, starting long before he aspired to a Mark VI. (in fact, when Nico
first saw the bari on eBay, he said with some dismay, "they've put my
bari up for auction!"). It's not the same as looking at a sax with
descriptions such as "sold as is, since I really don't know anything
about saxophones and the little doohickey on the curved part is broken off,
but I think all the parts are there-but it's a pretty shiny gold color, etc,
etc...."
Thanks again--and have a great week.-Susan
8-27-00
 |
Robert has just purchased a favorite of mine, The
Martin Magna. He says quality horns will no longer be a problem to get
in Germany: |
Hello Steve,
FINALLY, I got the sax today. It is really beautiful:-)))
The look is perfect, better than the pictures, ding-free, very good
mechanical condition, almost no repairs, just the right patina and laquer
colour. Just perfect for the collector...
It also plays very nice, I spontanously packed in my VI (which is a good
one), what I played the whole time now. The Martins are much underrated, most,
players would chose the Selmer, but I don't know, I always loved the Martins.
My first professional horn was an Martin, which I choosed against an SBA.
I assume, that you have done the overhaul for yourself. It is a good job, the
horn blows really good. Do you flattened the tone holes?
Also, the Teflon Thing is useful, I will keep it, Thanks for that.
After all, I am really happy with it. I've got a number of
horns now from the U.S:, and not always the stuff comes in a good quality, in
mechanical/optical or even playing point of view. I know, this was not the
cheapest Magna, I can get from there, but a good horn has no price, has it?
The MPC is also very nice. I will keep playing my 8 big throat Lawton,
because it sounds just more open, but the Tibbs has an really, really nice
sound...For me, it's the ideal thing to put it out occasionally and trying
new things.
Last, I want to thank you for the nice problem-free transaction and the
good packing job.
Best regards and greetings from Germany, I will visit your site from time to
time again, maybe we're again in business one day...
Robert
Dolnet@aol.com
 |
Tamera just had her silver Buescher
Truetone completely restored/repadded The restoration included removing a very old
clear coat of lacquer that had become downright ugly and wasn't stopping the silver from
tarnishing anyway: |
Date: Fri, 30 Jun 2000
I received the saxophone
this afternoon.
It looks and sounds GREAT! It looks beautiful!!! I did get a chance to
play it and I love the way it sounds. I didn't have any problems with the
lower end of the sax( that was the true test for me). I'm still amazed at
how wonderful it looks and sounds!! I am very happy with your work and I
will DEFINITELY recommend your services. I really appreciate all the work
you've done, the contact you've had with me during the process and the
results.
Thank you again......
Tamara A.
 |
Greg just purchased a vintage curved soprano sax:
It reached me in great shape and was well packed. I love the way it plays. As a vintage
horn it is a little more challenging to keep in tune but it's unique tone and sound more
than make up for it.
Thanks,
Greg Paulus <Alechri_Properties@email.msn.com> |
 |
Funniest reply: Mark purchased a curved
soprano sax ;~) |
Steve - It actually got here yesterday. It looks great. I started
getting
used to it last night. No one complained so we can assume the neighbors
were all out at the time. Thanks again -- Mark White
 |
Sean purchased a matched pair of Vintage Couesnon Alto and Tenor Saxes. |
Hi Steve,
I am very happy with the saxes, they are all I had hoped they would be.
The service I received from World Wide Sax has been exceptional and I have
enjoyed doing business with you. I will be seeking at least one more
mouthpiece for the alto in the near future, and I will be checking your
online inventory, hoping to do business with you again.
Thanks,
Sean Martin<Terexguy@aol.com>
 |
Mikes one of the enthusiastic players of a newly rebuilt SML
tenor: |
Mike Barks <ruffsax@jobe.net>
Hey People,
My name is Mike Barks, and I just bought an SML tenor from
Sarge,
here at World Wide Sax. I'm a sax player for the U.S. Army, so my budget
was not that large, but I needed a tenor for private gigging. I have a
Mark VI alto, and wanted something comparable in a tenor, but just don't
have the funds that people are asking for a Mark VI. I saw the SML on
the website, and emailed my questions about the sax. I had never even
heard of this make of instrument. Within half an hour Sarge answered my
questions completely and honestly.
I ordered the sax on the trial basis, and it was everything that
I
was promised it would be. The repair technician that worked on the sax
was top notch--Brad Wherry. Kudos to Brad as well. What a huge sound
from a great playing horn! I did have one issue with the horn,
concerning the left hand pinky cluster, but I posted an email and again
received a response in well under an hour. My concerns were addressed to my satisfaction, and I now own a great vintage tenor sax.
I can't say enough about my experience purchasing an instrument
from
this first rate organization. The products are represented accurately, and any questions or concerns will be handled in the blink of an eye! I
swear it's taken me longer to boot up my computer than it took me to get responses from
Sarge. Doing business with World Wide Sax was a
pleasure. I'll be glad to do it again in the future.
"Jammin' with the Big Dog"
Mike Barks <ruffsax@jobe.net>
 |
Don just purchased a sweet Martin Magna Tenor and
plans to "relearn" to play sax after a 15 year layoff. |
March 14th, 2000
Hi Steve,
Thanks for everything. Ho yes, I will enjoy this sax. Thanks for
doing such a wonderful job on overhauling this horn. I can't wait to start
playing it.
What would be your choice of a mouthpiece for this horn? With me
just starting to play after 15 years of not practicing I could not go
to a music store and make a good choice. Do you have one that I can
purchase.
Thanks,
Don Mc Bee mcbeed@megsinet.net
 |
Debbie and her son are happy with their new tenor:
Dear Steve, I am pleased to let you know that the sax arrived
in what seems like perfect condition yesterday afternoon. Andrew is very happy with
it. It's bigger and heavier than the "student" model he used to play on
but he says he can handle it (he's almost 14). It sounds really nice, too. We
especially like the low notes. He was also excited about that high F#! It
looks like a keeper. Thank you for a successful transaction. The horn will be
well used. Andrew is a good player and his feel for jazz improv is great! Good
luck with all your musical endeavors. |
Sincerely, Debbie Crotty
 |
Here's a letter from a happy customer in
Italy concerning
his newly rebuilt gold plated Martin alto sax, just purchased from Worldwidesax, July
1999. |
Steve,
I received the alto saxophone some minutes ago: it's in excellent conditions
and I'm very happy for this purchase.
Thank you very much for your politeness, honesty and let me know if in
future You'll locate some collectable or very interesting saxophones...
Ciao,
Attilio
From: Attilio Berni <saxop@iol.it>
5-99
 |
Mark just purchased a 190's 6m, Oct. '99... and then in Nov. a
vintage mouthpiece.
|
Hi Steve,
I recieved the 6M today. WOW! That
is one great playing horn. All of my other altos are stuffy and just
don't have the action that this horn has. I finally enjoy playing on
alto! (I'm normally a tenor player)...
Like I told you before, this is a bit like a dream come true. I've had
this thing about Conns for a while.
Thanks so much,
Mark <elspando@juno.com>
 |
Tony in Brunei (somewhere over by Viet Nam), purchased a nice Conn Chu. I had
to look up where Brunei was, before I shipped to him, just to get an idea. |
Today I received a beautiful Conn Sax that seems to have made
the journey without any serious incidents. Many thanks for all your
help.
I'm a veterinarian currently responsible for the Polo ponies of
His Majesty the Sultan of Brunei although I originally arrived in Brunei just
over 2 years ago to set up a small animal clinic. Initially we were
going to do the horses through the clinic in town but my then employers
couldn't agree on the terms so I ended up just doing the horses. My time
here is almost up and we'll be moving on shortly. Not sure where to at
this stage - I have been asked to attend an interview for a similar position with
the Sultan of Oman and there's also a position going at the Singapore Turf
Club. If the "exotics" don't work out then I guess we'll head
back to our property in Australia. Figured it was a good way to see
different parts of the world while the kids are still young (1 and 3) so that
schooling is not a major problem. After 10 years in my own clinic I
decided it was time for a break and hence the move to Brunei. Life as an
"ex-pat" in another country sure is interesting but only for a short
while. After a while the language and cultural differences become quite
frustrating especially for Adriana who is stuck at home with a very limited
amount of choice both in friends and activities.
Anyway many thanks for all your help. I'll keep in touch
and let you know how the sax playing works out.
 |
Here's a reply from an exceptionally nice ebayer: |
Steve,
I wanted to let you know the tenor sax arrived
today. I thank you very much for including the
leather strap too. I appreciate it being packed so
carefully. My son, Corey, will be over the moon with
it. That's all I've heard him talk about was wanting
a tenor sax.
The owner of the saxophone (World Wide Sax)
was right on the mark with his shipping dates. He was very forthright and
honest through out the transaction. He comforted a nervous, impatient
mother while she awaited the Christmas gift.
Thank you.
Diane 11-98
<angelwings012358@yahoo.com>
|