Worldwidesax - Fine Vintage Saxophones

Worldwidesax.com is a Vintage Saxophone repair shop that also buys, completely rebuilds and resells Vintage Professional Saxophones only and we also do Rebuilds and Restorations for customers from all over the world.

(by appointment only).  We are not a "music store".  Customers can see and hear what we have available at this website.

Everett, WA 98201, U.S.A. 

 

E-mail Chadd with questions: 

  WorldwideSax@Gmail.com 

 

pizza1.jpg (124009 bytes)SAD SAD NEWS...early Thursday Feb 9th, 2012 Steve "Sarge" Stransky peacefully passed away after a +3 yr battle with brain cancer. If you consider he was given only 2 yrs, this was a WIN! He was in the company of Family and close Friends. It was the most joyous send-off I've ever seen with music-galore--mostly Beatles' songs. :*)  There were many tears and a TON of laughter for this amazing man with great musical talents, repair skills and a great love for people! I will miss you so much, Buddy.

Rest in Peace, my dear dear dear Friend. ~chadd

(*** Please excuse my uncharacteristically slow email reply time ***)

 

singingsendoff.jpg (151859 bytes)finalnight,pamstevechadd.jpg (124156 bytes) Pictures:

 -(Upper Left) Chadd & Steve at pizza 2-3-12

 -(Far Left) Family & Friends on Steve's final night, him singing.

 -(Near Left) Pam (wife), Steve & Chadd. Steve's final night...STILL with the biggest smile in the room. :*)

WWS lives on! Steve set me (chadd) up to keep this legacy going, allowing me to buy WWS in January 2011.

Steve Stransky - WWS Creator

Chadd Berry - WWS Owner

For 2012 Work Schedule

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Become a Fan, and      

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Our Work Schedule 2012:  

1-3-11 Conn Gold Artist "Harp" alto: WWS horn gets Vintage Standard Rebuild for customer. Seward Done

 

1-17-12 Buescher Big B Tenor: Customer horn gets Vintage Standard Rebuild with metal-backed pads and natural cork throughout. Williamson In Progress

 

2-1-12 SML Rev D Alto:

Customer horn gets Vintage Standard Rebuild with prestini pads and natural cork throughout, + custom key fabrication. Heine In Progress

 

2-28-12 The Martin Tenor:

WWS horn gets Vintage Standard Rebuild with prestini pads and natural cork throughout for customer. Gillette

 

3-8-12 Buffet Super Dynaction Tenor: WWS horn gets Vintage Standard Rebuild with prestini pads and natural cork throughout for customer. Croasdale

 

3-20-12 Conn 12M baritone:

Customer horn gets Vintage Standard Rebuild with prestini pads and natural cork throughout for customer. Tarvin

 

3/29--4/14/12 TIME OFF

 

4-16-12 SLOT OPEN

 

4-30-12 SLOT OPEN

 

5-15-12 SLOT OPEN

If you wish to schedule a rebuild, or purchase one of our saxes (and it still needs to be rebuilt),  send us  a 50% deposit to hold your place in the work schedule.  We work from a published schedule (see left margin) so that your sax will only be out of your possession a couple weeks, while i do the actual work, it does not have to just sit on the shop floor, until its turn comes up... you send it to arrive on schedule and we return it on schedule.

  E-mail chadd with  questions about our vintage saxes at:   worldwidesax@gmail.com  

Payment Options:

 (we can't do Credit Cards in the shop but YES through PAYPAL)

...Cash...or ...Check...

... Wire Transfers ($15)

 ...Paypal (3.45% fee)

 Click the links above  to see what's in stock.   If  a horns says "just rebuilt", then it's ready to go, saxes that say "scheduled for a rebuild" are waiting for the work to be done, but it will be included in the posted price.  If a sax says "ON TRIAL" someone is taking advantage of our "Three Day Trial" policy (See Info and Orders page).

NEW!

Saxophone Comparison Chart 

Some of the best vintage saxes of all time

CLICK HERE

 

 

Here is a pic of some custom resonator work.  We can size the reso to your tonehole, or whatever you like.

RESOS.JPG (101033 bytes)

We can get you virtually any resonator made, my favorite is the  Resotech solid silver reso.

Check out our newest pages...

MISC. For Sale

Create an Order:

SAX or REBUILD

 

 

 

 

 

 

WE  DO GOLD AND SILVER ELECTRO-PLATING

That's right! 

We have a:

 GOLD STAR

Pro plating system

Goldstar-LLXL.jpg (59795 bytes)
The Industry's Premier Silver and Gold Plating System 

 Ask about having us Plate your Bell interior in
24 carat or  ROSE GOLD 

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References
About Relacquers  

It is our business to Rebuild your sax or sell ours as Fully Rebuilt Saxes. We never sell our stock "As-Is". We are Restorers.

 

If you wish to schedule a rebuild, or purchase one of our saxes and it still needs to be rebuilt,  send us  a 50% deposit and we will schedule its rebuild before any of our other worldwidesax.com inventory. 

DukoffMPCs.jpg (402000 bytes)

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Everybody loves these new Kangaroo skin pads, aka Saxgourmet  Pads and you can get them from Curt, at musicmedic.com you can request that any WWS stock be rebuilt with them, or just click this link and order some for yourself.

Check out our newest pages...

MISC For SALE

Create an Order:

SAX or REBUILD

 

 

Hard to find:

Here is a helpful outline of SML serial Numbers:

S.M.L. Serial Numbers:

0001 – 3000  /  1934 to 1940

3000 – 5500  /  1940 to 1945

5500 – 8000  /  1945 to 1950

8000 – 12000 / 1950 to 1955

12000 – 16000  /  1955 to 1960

16000 – 19000  /  1960 to 1965

22000 – 24000  /  1970 to 1975

24000 – 26000  /  1975 to 1980

26000 – 27000  /  1980 to 1982

Here is a helpful outline of Keilwerth serial Numbers:

Keilwerth Serial Numbers:

1925:   0-800 

1933-5:     9000     

1941:  18,500

1947: #20,000

1953: #23,000

1958: #28,000

1960: #38,000

1962: #43,000

1964: #49,000

1966:  #55,000

1971: #69,000

1978: #79,000

1986: #91,000

1993: #99,100

1996: #104,000

1998:  #109,000

2004:  #119,000

Keilwerth made The New King and Tone King  as their main brand names, from 1932 to 1969 or so, but there were always stencils, like Edgeware and later Couf.  Here are few of the other names you may find on Keilwerth made horns.  The New King and Tone King saxes were identical except for a high F# key on the tone king model, but keilwerth marketed the Tone King as the "deluxe" Pro model and the New King as the "standard" Pro model

Known Keilwerth Stencils:

Couf Superba 1 & 2

 Royalist

Conn DJH

Buffet

Edgeware

Marco

Vincent Albert

Martelle

Winsall

Tam

Bundy Special

Armstrong

Heritage

King Tempo

Champion

Calvert Deluxe

Silvertone

Hammerschmidt (sopranos)

Jean Barre Artist (seen Alto)

Bundy (H&A Selmer)

 

Keilwerth copiers, such as Amati,  Dörfler & Jörka (1949 to 1968, then purchased by Keilwerth) and B&S

H.Genet

Roxy

Jubilee

Voss

Silvertone

Rene Dumont

Keilwerth relatives:

Max Keilwerth and Richard Keilwerth (Graslitz) made saxes under the names:

 

Weltklang (baritones only)

Senator

Hohner

 

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Here is a handy chart for King zephyr series:

Zephyr and Zephyr Special
Zephyr, "Series I": 

s/n 170xxx to 180xxx
Zephyr, "Series II": 

s/n 180xxx to 237xxx

Zephyr Special: 

s/n 200xxx to 280xxx
Zephyr, "Series III": 

s/n 237xxx to 305xxx
Zephyr, "Series IV": 

s/n 305xxx to 423xxx
Zephyr, "Series V": 

s/n 423xxx to 540xxx

1945 was the beginning of King's  Super 20 (s/n 272xxx)
and Zephyr "II"s (s/n 272xxx)

 

Past Work Schedule 2010:  

4-13-10  Gold Plated The Martin Soprano 64,xxx:   Done

4-18-10 Silver The Martin Tenor 184K "USMC":  Done

5-7-10 Buffet SDA Alto 18K:  Done

5-14-10 Armstrong Low A Baritone: Done

5-25-10 Conn 10M  Done

5-28-10 Martin Committee 2 Alto: WWS Done

6-1-10 J. Keilwerth 1934 New King Alto:  Nickle plated  Done

6-11-10 The Martin Alto:  Done

6-17-10 Silver Buescher Big B:  Silver plated WWS horn gets a Standard Vintage Rebuild with flat metal resos for customer. Done

6-24-10 1948 Conn 6m Naked Lady: Done

7-2-10 Buescher 400 Tenor #505K WWS horn gets a Standard Vintage Rebuild with Prestini rivetless dome metal resos. WWS Done

7-8-10 1928 Silver Conn Chu Alto:  Customer horn gets a Standard Vintage Rebuild with flat metal resos. DONE

7-20-10 King Super 20 Alto #415K:  WWS horn gets a Standard Vintage Rebuild with flat metal resos. WWS Done

7-28-10 Conn 6m:  customer horn gets a Standard Vintage Rebuild with flat metal resos. Done

7-28-10 1945 The Martin Tenor:  WWS horn 153K gets a Standard Vintage Rebuild with Seamless Domed resos. WWS Done

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About Relacquers

8-5-10 Buescher Aristo "156" Tenor #338K Done

8-12-10 1953 SML Rev D #10K Chadd horn gets a Vintage Standard Rebuild with Presini pads, some Premium upgrades, minor fabrication work, and some plating restorations.  Done

8-13-10 1972 Selmer Mark VI alto #208K WWS horn gets a Vintage Standard Rebuild with Presini pads and natural cork throughout. WWS Done

8-27-10 1940 Conn 26M alto:  Customer horn gets a Premium Vintage Rebuild with White Roos & Seamless Flat resos. Done

9-7-10 1952 King Zephyr Alto WWS horn 328K gets a Standard Vintage Rebuild. WWS Done

9-23-10 Buescher Big B Tenor #322K WWS horn gets a Standard Buescher Rebuild with Buescher snap in pads and natural cork throughout for customer. Done

6-17-10 Silver Buescher Aristocrat #280k:  Silver plated WWS horn gets a Standard Vintage Buescher snap-in Rebuild with original metal resos.  WWS Done

10-15-10 1960s LeBlanc Rationale Tenor WWS horn gets a Vintage Standard Rebuild with Presini pads. Sarge/WWS Done

10-22-10 1953 SML Rev D #10K WWS horn gets a Vintage Standard Rebuild with Presini pads for customer. Done

10-26-10 1940 Martin Comm 2 alto Chadd horn gets a Vintage Standard Rebuild with Presini pads, some Premium upgrades for customer. Done

11-4-10 Buescher Aristocrat Alto #345k:  WWS horn gets a Standard Vintage Buescher snap-in Rebuild with original metal resos.  WWS Done

11-4-10 Buescher Big B Aristocrat Tenor #317k:  WWS horn gets a Standard Vintage Buescher snap-in Rebuild with original metal resos.  WWS Done

11-18-10 Silver Conn Chu alto:  Customer horn gets a Standard Vintage Rebuild with flat metal resos. Childs Done

12-2-10 Buescher Big B Aristocrat Alto:  WWS horn gets a Standard Vintage Buescher snap-in Rebuild with original metal resos.  WWS Done

12-14-10 The Martin Tenor #208k:  WWS horn gets a Standard Vintage Rebuild with flat metal resos and rivet center.  WWS Done

12-17-10 Nickel Conn Chu Tenor:  WWS horn gets a Vintage French Standard  Rebuild with plastic resos. WWS Done

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Rebuild Info
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About Relacquers

    Please e-mail or phone us for   additional   descriptions or  JPEG's  of  any  of  our current  inventory,  or if  you don't   see   something   you would  like  to  have,  let  us know.
     Unlike some web shops, we will  try  to list all  of  our current inventory and prices so  you  can  see  and  shop here  in  our  virtual  store.

     We  have  a  long  list  of customers  you  can  e-mail for references. (see References Page)
    Thanks,  for  visiting Worldwide Sax.  

~~Chadd&Steve~~

Past Work 2011:  

1-1-2011 H.Couf Superba 1 Tenor:  Customer horn gets a Standard  Vintage Rebuild with Pisoni rivetless dome metal resos. Thaut  Done

1-4-11 1938 Buescher Aristocrat series 1 Tenor:  WWS horn gets a Vintage Buescher Snap-in Rebuild with natural cork throughoutWWSDone

1-19-11 1940s Buescher Aristocrat Alto:  Customer's alto neck gets pull-down repair and dents removedGarcia Done

1-19-11 Conn "tranny" Chu alto:  WWS horn gets a Vintage Rebuild with natural cork throughout and Sherry Huntly EngravingWWS Done

1-28-11 Conn 6m alto:  Customer horn gets a Vintage Rebuild with natural cork throughoutHarford Done

2-5-11 King Super 20 alto - pearls:  WWS horn gets a Vintage Rebuild with premuim extrasWWS Done

2-22-11 King Super 20 tenor - pearls:  Customer horn gets a Vintage Rebuild with oversized Noyak resos on Black Saxgourmet Roo padsAtkinson Done

2-23-11 Buescher 400 Tenor 429K:  WWS horn gets a Vintage Buescher Snap In rebuildWWS Done 

3-10-11 Conn Gold C-Soprano 98K:  WWS horn gets a rebuild for customer with silver Resotechs to be gold plated & Premium UpgradeGast Done 

4-7-11 King Super 20 tenor --full pearls Sax gets a Vintage Rebuild with premium extras and seamless flat resosSarge Done

4-14-11 Conn Chu tranny tenor:  Customer horn gets a Vintage Rebuild with oversized Resotech resos on Black Saxgourmet Roo pads and a Premium Upgrade and New stainless steel springsMattina Done

4-21-11 Buffet S-1 Tenor Sax gets a Vintage Rebuild with premium extras and seamless flat resosSarge Done

5-10-11 Vintage YAS-62 purple label:  Customer horn gets a French Standard rebuild with plastic dome resosTebo Done

5-13-11 Vintage Dolnet #24K:  WWS horn gets a French Standard rebuild with Flat Metal resosWWS Done

5-19-11 Selmer Mark VI alto:  Customer horn gets a Silver Restoration with a French Standard rebuild with plastic dome resos and full Spring ReplacementZax In Progress

6-3-11 Selmer Mark VI Tenor:  Customer horn gets a French Standard rebuild with plastic dome resos and swedgingLayer Done

6-20-11 Silver Buescher TrueTone IV Alto:  Customer horn gets a Vintage Standard rebuild with Buescher Snap In PadsTarvin Done

7-1-11 King Saxello customer horn gets a Vintage Standard Rebuild. Zax Done

7-15-11 Silver Conn curved Soprano: WWS horn gets a Vintage Standard Rebuild after chemical Lacquer stripping, for customer. Luchtan Done

7-29-11 Silver Conn 26M alto:  WWS horn gets Rebuilt and some much needed TLC. WWS Done

8/7/11--8/13/11 TIME OFF

8-15-11 1935 Conn 10M tenor: WWS  horn gets a Vintage Standard Rebuild for customer.

Oleru Done

8-16-11 The Martin Tenor 1953:  Customer horn gets Vintage Standard Rebuild. Neilo Done

8-29-11 King Zephyr alto WWS (OS) horn gets a Vintage Standard Rebuild for customer. harrson/Keller Done

9-1-11 Maintenance & School Prep 

 

9-10-11 Maintenance & School Prep 

 

9-20-11 Martin Committee II alto: Customer horn gets Vintage Standard Rebuild.Siboliban Done

 

10-1-11 Martin Committee I alto: Customer horn gets Vintage Standard Rebuild + a new custom screw rod. Siboliban Done

 

10-18-11 Martin Committee III "The Martin alto": WWS horn gets Vintage Standard Rebuild for customer. Zink Done

 

11-1-11 H&A Selmer Bundy Baritone: WWS horn gets Vintage Standard Rebuild for customer with domed metal resos for customer. Snowhill Done

 

11-13-11 Mark VI alto:  Silver Restoration Returns from Andersons. Customer horn gets a with a French Standard rebuild with Metal dome resos and full Spring Replacement with Rose Gold Plating AccentsZax Done

 

12-6-11 Buescher Big B Baritone: WWS horn gets Vintage Standard Rebuild with metal-backed pads and natural cork throughout. Aaberg Done

 

12/22--31/11 TIME OFF

 

 

Saxophone Comparison Chart 

Some of the best vintage saxes of all time

Let me start by saying: "A Saxophone will sound like a Saxophone." That being said, at some point or another we all get that chance to be nitpicky when choosing one sax "over" another.  This is our newest creation; and strictly opinion.  If you had the chance to own any sax on this list, you are blessed.  This chart idea started because customers are always asking us to compare them all so I decided to make a rough chart.  So I'm going to take credit for this since I've been threatening to pick Sarge's brain to build this for the past few years. Here's what we've put together. Consider this page always under construction....and Enjoy! --Chadd

 

We believe that your first consideration should always be the sax's particular Sound Type. 

Beyond that, the rest of the components must be taken for consideration.

 

~ The chart is in not in a ranked order; every player has a different opinion.

~ And consider a "STARrating5stars_3.jpg (15296 bytes)" to be about Average and pretty good for the average player/student.  We had to be strict to create these differences.

~ We also only focused on Alto and Tenor for now; the list could be enormous.

~ Across all models, Older serial #s are Darker in Sound

 
BRAND

MODEL

INTONATION SOUND TYPE ERGONOMICS OTHER TIDBITS
Selmer Mark VI

STARrating5stars_4.jpg (20126 bytes)   

 1958-62

STARrating5stars_3.jpg (15296 bytes)  

 for #s +200K

French Classical Design, Focused, Older = Darker,

#s +200K tinier & lighter, thinner

STARrating5stars_4.5.jpg (24419 bytes)

-Versatile…Swiss Army Knife, considered "Best all-round" sax

-Different Bell and Bow experiments over eras,

-some with high F#

  Super Balanced Action -- S.B.A.

STARrating5stars_3.5.jpg (19245 bytes)

 a little wild

Darker than Mark VIs, older Ser #s are darker, tubby STARrating5stars_4.jpg (20126 bytes) Good all-round, $$$$$
Buffet Super DynAction  -- "S.D.A." STARrating5stars_4.5.jpg (24419 bytes) French Classical Design, Focused but slightly meatier than Selmer STARrating5stars_3.5.jpg (19245 bytes)

-Heavy Build

-Known as #2 to the Mark VI

-bargain saxes

-some have high F#

  S-1 STARrating5stars.jpg (24595 bytes) Bigger like a Super 20 but crossed with a SDA, louder than expected, still thin like regular French focus. not many low harmonics

STARrating5stars_4.5.jpg (24419 bytes)

Some people don't like the rocking pinky tables.

Rare finds, Genius Rocker Eb/C and Bb/C#. Only sax in history to comfortably go from low Bb to C#.  Con: Bell-Body brace is a little weak.
Conn Wonder II --aka "Chu Berry" STARrating5stars_2.5.jpg (14664 bytes) Biggest!, Fattest, Ballsiest, loud, spread, full & resonant, heavy in the Low-Mid harmonics

STARrating5stars_1.jpg (5515 bytes) 

(oldest era listed, 1920s-30s)

Must be good player, Noticeable high end intonation issues.
  "Naked Lady" STARrating5stars_3.jpg (15296 bytes)

Bold, Brassy, Dexter Gordon, gumph, Less focus…more overtones. 

-Rolled Tone Hole, early ones are darker/deeper in sound 

STARrating5stars_2.jpg (10446 bytes)

Improved intonation & ergos from Chu's but retaining the big sound as much as possible. 

-1950s era ones are cheaper but still decent players.

   

STARrating5stars_4.jpg (20126 bytes)

for 26M, 30M

More overtones than standard 6M or 10M, a little richer/smoother with the boldness  

*(28M alto = very bright!)

STARrating5stars_2.jpg (10446 bytes) changed G# table for the worse
Buescher Aristocrat series 2, "Big B"

STARrating5stars_4.jpg (20126 bytes)

one of the best gems

Warm, smooth, focused, Glenn Miller's sax section STARrating5stars_3.5.jpg (19245 bytes) Two different bells in series (aristo 1 and 2), altos are great among the competition, Weird side Bb most noticeable on tenors (too far north)
  Top Hat & Cane, (TH&C) STARrating5stars_4.jpg (20126 bytes) More overtones than Big B, a bit fatter, big bell STARrating5stars_3.5.jpg (19245 bytes) Big Bell flare, Weird side Bb most noticeable on tenors (too far north)
Martin The Martin Committee II STARrating5stars_3.jpg (15296 bytes)   warm, wide, Ballad King, Can kick butt too with big mpc! Spread-- Highs, Mids, Lows

STARrating5stars_4.jpg (20126 bytes)

 great octave thumb  

 rest

C# vent, best in Ballads but can do it all, soldered on tone holes.
  The Martin "{alto, tenor}", TMT, CommIII STARrating5stars_3.5.jpg (19245 bytes) Deep power, wide, wailing Altiss, Booming low notes (a Martin trait), Older #s darker & fatter. Spread-- Highs, Mids, Lows

STARrating5stars_3.5.jpg (19245 bytes)

G# cluster is a low mark

We love these (biased perhaps), soldered on tone holes, Near identical to Magnas. 

-Alto and Tenor hold their own among competition.

-heavy like tanks

King Super 20 STARrating5stars_4.jpg (20126 bytes) Big, edgy but dark, unique, spread, bold, with bark, R&R harmonics …Cannonball Adderley; Silversonics bell make them slightly louder & brighter

STARrating5stars_4.jpg (20126 bytes)

different G#s in series

Variations!: silver necks, pearls, gold inlays, Silversonics etc.; Cleveland models = better than Eastlake, soldered tone holes. Side octave pad always gets stuck (King)!
Keilwerth Tone King STARrating5stars_3.5.jpg (19245 bytes) Slight bark, dark, complex, fat, spread, gruff,  one of the darkest without being soft STARrating5stars_3.5.jpg (19245 bytes) Same body tube on all Keilwerths, optional high F#
H. Couf Superba 1

STARrating5stars_3.5.jpg (19245 bytes)

 issues up high

(Keilwerth lineage)

Dark, luxurious, fat, lush, complex, one of the darkest without being soft, a dark-bark. Very strong in the Mids.

 STARrating5stars_4.jpg (20126 bytes) built like German tanks, Keilwerth Stencil w/ biggest name; Superba II same horn w/o Rolled Tone Holes
S.M.L.

Revision D

-- "Rev D"

STARrating5stars_3.jpg (15296 bytes) 

vintage mpc can help

Big, Wide, French sax w/ American sound: SDA cross with Conn, truly a sound of its own, Bold Warmth STARrating5stars_3.jpg (15296 bytes) many advertised features…the screws adjusters are nice, G# is a bit far in reach on tenor--good on alto., Tenors are better than altos.
  Gold Medal STARrating5stars_3.5.jpg (19245 bytes) Big & American, brighter and louder than the Rev D (really, more like a Conn/King mix)

STARrating5stars_3.jpg (15296 bytes)

for the G# reach (far south)

Bulky/square-ish on RH

similar to Rev D, after 1970 turn into King Marigaux models…become brighter and louder. Those later ones are bargains too.

To locate our biases...our experiences beyond "in shop" work:

~ Sarge played more extensively on (and owns) Superba 1, Buescher Top Hat, Super 20, "The Martin"s

~ Chadd played more extensively on (and owns) Rev D, "The Martin"s

 

Worldwide Sax SOUND COMPARISON Archives:

 

Altos

New Sound File 1-2012: Altos file "Conn Early Lineage": Wonder vs Wonder II (Chu) vs 6M Naked Lady

New Sound File 8-2011: "Expensive Alto Set": Selmer Mark VI vs. King Super 20 vs. Conn 26M

New Sound File 6-2011: Conn26M(not rebuilt) vs. vintage Yamaha62 vs. Buescher BigB

New Sound File 2-11-11: Here's a new Altos file: Conn 6M "viii" vs. Couf Superba 1 vs. Mark VI

Sound File:  Here's a new Altos file: Buescher TrueTone vs. Martin Committee 2 vs. Buescher Aristocrat series 3

Sound File:  Here's a new Altos file, Chadd playing a "Conn Set": Conn Chu vs. Conn 6M(RTH) vs. Conn26M Connqueror

Sound File:  Here's a new Altos file: Buffet SDA vs King Marigaux SML vs The Martin Alto

First, Sarge playing Cool...

a Five Digit selmer mk vi, vs. a '36 zephyr, vs a SML Rev D <click here.

AND Second, Chadd playing Hot...

a Five Digit selmer mk vi, vs. a King Super 20, vs a Conn 6m(RTH) <click here.

AND Here's where I play/compare a Martin "The Martin Alto" to a King Super 20  <click here.

SOUND FILE: a 5digit Selmer mk vi, vs a Big B vs. a The Martin Alto <click here.

 

Tenors

New Sound File 1-2012: Tenors file: Selmer VI vs Conn Chu tranny vs Buescher 400 TopHat&Cane

Sound File 1-2012: Tenors file: King Super20 F.P. vs King Silversonic vs Couf Superba1 "Blackie"

New Sound File 11-2011: Tenors & MPC file: 

SelmerVIvsTheMartinTenor--Dukoff D7vsOttoLink4****MasterColemanHawkinsSpecial

New Sound File 10-2011: Tenors file: Selmer Mark VI vs Couf Superba1 vs Conn 30M 

New Sound File 8-2011: Tenors file: A WWS Silver Resto. Selmer Mark VI 5-digit #83K (Brecker era) vs Selmer Mark VI #155K Original Lac (mid-run era)

New Sound File 7-2011: Tenors file: Selmer Mark VI vs. JK Silvertone vs. Conn 10M

New Sound File 7-2011: Tenors file: Selmer Mark VI vs. JK ToneKing vs. The Martin Tenor

New Sound File 5-2011: Conn 10M vs. Buffet S-1 vs. SML Gold Medal

Sound File 4-26-11: KingZephyr343K vs. SML Gold Medal vs. KingSuper20FullPearls

New Sound File 4-22-11: Since the 1st one had so much controversy--Tenors file: Selmer Mark VI vs. SML Gold Medal vs. Conn (nickel) Chu

Sound File:  9-9-10: Here's a new Tenors file--Aristocrats series 1, 2, & 2.5: 

Buescher "Big B"1944 vs. Buescher "Big B"1940 vs. Buescher Aristocrat 1938

Sound File:  Big B parabolic vs Selmer 148k.mp3  

New Sound File: Here's a Tenors file Selmer MKVI vs. Martin Comm 2 vs. Martin Comm 3

This time, An  "A, vs. B, vs. C - French Set"  <click here  COMPARISON OF 3 FRENCH MADE TENORS

Here's Another:  This time, a Selmer mk vi, a The Martin Tenor and a Buescher 400 Top Hat

Here's Another:  This time, a comparison of a Selmer mk vi, a The Martin Tenor and a Conn 10 M

Sound File: Selmer mk vi, a The Martin Tenor and a Buescher 400 Top Hat

Video File: Selmer Mark VI vs. Buescher 400 Top Hat & Cane here: http://www.youtube.com/watch?v=OSF4WqBtNeg 

Sound File: Buescher Top Hat & Cane vs. Conn Chu vs. Olds "Super" (by martin)

Sound file: Here's a new Tenors file Mark VI_vs_SML-RevD_'41Zephyr

Sound File: Buescher Top Hat & Cane vs. Conn Chu vs. Olds "Super" (by Martin)

 

Sopranos

New Sound File 8-2011: Sopranos file: Conn Wonder vs. Selmer Mark VI vs. King Marigaux

New Sound File 7-2011: Sopranos file: Conn Wonder--Curved vs. Straight

Sound File 11-2010: "A vs. B": Conn 1924 Wonder vs. Buescher 1928

Sound File:  Sopranos-Martin, vs. SML, vs. King Saxello

 

Baritones

New Sound File 7-2011: Baritones file: "The Martin Baritone" vs Buescher Big B

New Sound File 7-2011: H.A.Selmer Bundy (Keilwerth, not rebuilt) vs. "The Martin Baritone"

 

 

Mouthpiece Comparisons:

Alto

Sound File 12-2011: Alto MPC file: Brilhart Level Air 5 vs The Woodwind vs Dukoff D7

Sound File 12-2009:  This should be fun, here are a couple ALTO mouthpiece comparisons, on a 5 digit mk vi.

Sound File: first, a Link master 4star, vs a Meyer 5, vs a Link hard rubber slant signature  

Sound File: next a Selmer S80_C star vs, a Meyer 5, vs, Berg Larson fat body  

 

Tenor 

New Sound File 1-2012: Tenor MPC file: Dukoff BD vs Otto Link 4***  vs Otto Link FL (Coltrane!)

Sound File 12-2011: MPC file with DIFFERENT players!?!? on a The Martin Tenor: 

Sarge playing: SelmerC* vs OttoLink4***Master vs MCGregory Model A

Chadd playing: SelmerC* vs OttoLink4***Master vs MCGregory Model A

Sound File 11-2011: Tenors & MPC file: 

SelmerVIvsTheMartinTenor--Dukoff D7vsOttoLink4****MasterColemanHawkinsSpecial

sound file:  9-2010: Here's a new Tenors mouthpiece file: 

Otto Link Tone Edge 9 vs. Steve Broadus NY "perfected" vs. Berg Larsen 110-2-0

 

Baritone

Sound File: 4-2010 A three mouthpiece comparison, for a The Martin Baritone sax.  These are all hard rubber and difference is huge, between a Yamaha 4c, a Buescher "Pickle" and a Martin Slimline

Sound File 7-2011: H.A.Selmer Bundy (Keilwerth, not rebuilt) vs. "The Martin Baritone"

                ("Ideal" hard rubber vs Yamaha 4C)

  

Miscellaneous Comparisons:

Sound File 8-2011: Chadd meets a Bass Sax: Tenor to Baritone to Bass