Featured
Tenor:
1968 Buescher 400 Tenor Sax:
This
is another nice 400 model made a few years after the Selmer takeover ser. #
505,xxx. The finish is original, but is somewhat visually
challenged. It has the same body, neck with underslung octave mechanism and keywork as the famous older
brother the "Top Hat" model, but with nickel plated keys.
Buescher still made great 400's through the sixties, this one was made appx.
1968. It has a warm centered tone, but can be pushed hard with a metal
mouthpiece. Upon disassembling, we noticed several oddities to the
original body, such as missing snaps and re-solder repairs but this is a great
sounding sax that still has a fair price attached. The case is in bad shape but
is suitable for shipping and required travels. It
received a complete Buescher style rebuild
but with Pisoni seamless dome resos to mimic the original style and it will go
for
1599.00 Just
Finished!
Item#:WSS
NEW
SOUND FILES:
Thank
you for your positive feedback! We are proud to help customers "hear" different models of
saxes and mouthpieces, in a Versus basis...Please tell us if you find
these helpful. Thanks.
(Crucial
Tip: Use Large Speakers!)
We have
many more sound clips/mp3's of "A vs. B" and even "A vs. B vs.
C" comparisons. If a customer needs help deciding between a few, we
will squeeze requested samples in.
New Sound File
1-2012: Selmer
VI vs Conn Chu tranny vs Buescher 400 TopHat&Cane
New Sound File
1-2012: King
Super20 F.P. vs King Silversonic vs Couf Superba1 "Blackie"
New
Sound File 10-2011: Selmer
Mark VI vs Couf Superba1 vs Conn 30M
New
Sound File 8-2011: A
WWS Silver Resto. Selmer Mark VI 5-digit #83K (Brecker era) vs Selmer Mark VI
#155K Original Lac (mid-run era)
New
Sound File 7-2011:
Selmer
Mark VI vs. JK Silvertone vs. Conn 10M
There are a few more
sound samples around the website near their respective sax descriptions.
Also,
we have the Sound
File Archives
on the Saxophone
Comparison Page.
TENORS
IN STOCK
ANTIQUE:
The
best description Chadd's opinion can muster:
Late
1800s/Early 1900 Antoine Joseph Stencil
Bb Tenor:
Super
old, Antoine Joseph stencil/copy, museum/collector's sax just in; we even had to
play it to figure out what key this thing is in!!! ...Turns out it is a vintage
Bb Tenor to ONLY low B in original wood case. "Friedrich Gellner"
inscribed on the bell possibly from Germany/Czechoslovakia since
"Breslau" is inscribed on the bell too; Nickel plate at 90% (probably
"german nickel-silver"), double octave keys, backside G#, dual G tone holes
(like early bueschers have), no pearls or rollers back then...Arrived in
original White Kid pads...and I could play it to low C! Enjoy the large quality photos.
Comes
in original OMG case :) , can't believe it made it this long! One reason I
believe it could be into the later 1900s is because of the side C key. The super
early A.Sax designs didn't have that and my researching showed some of these
"to low B" saxes being made into the 1930s by foreign copiers. But
beyond that, it is something all its own. I didn't notice it being a High
Pitch sax when I tested the tuning but I'd have to check that again to be
sure. Overall, I'd say in great shape...looks to have had a heavy resolder
on the neckstrap ring at one time. There are really no #s on to indicate any
sort of serial number system. (a "7 Z" ? on the thumb hook.)
I am willing to sell this sax in "as is" or
rebuilt condition and will definitely consider any worthy TRADE options. now
$499.00 "as-is"..or
$1449.00 rebuilt, with White Roo Pads
OnHold/SOLD-Gillette
Item#:WWS2.00.00.1121.1-0
BUESCHER:
a
rare classic from Sarge's Collection:
1934 Buescher
"Early"
Aristocrat
Tenor: Rare
early version of the Aristo, (with traits of TrueTone and Aristo)
with the small bell for a more focused, sweeter
sound. Original lacquer
is good, over 80% present. Crisp, sharp beautiful Art Deco engraving. Think Johnny Hodges tone. Serial #
268,xxx, built about 1934. No major damage ever
done to it. Neck looks great no
pull down thanks to the art deco brace
The snap in resonator
system is intact, as are the Norton springs. I did a Premium Buescher snap in
pad
rebuild on it and was so pleased with the sound...
I have tried it with several mouthpiece and it has a number of
amazing tones, but most impressive was with my Otto Link "slant
signature" hard rubber piece. The amount of volume/output with this
sax is about double what you'd expect for a late thirties horn... very close to
a "The Martin Tenor" in power, but then i put a Link Master on it and
it went totally airy and smooth with a centered warm tone. really
versatile. No,
the mouthpiece is not included, sorry, it's one of mine and isn't for sale. If just
looked cool in the photos.
$2999.00
Note, it has a very nice original case (smells normal too, not smelly) and some
original docs, the factory "guarantee" card and a couple cool old neck
strings are in the case. ON
HOLD for
TRIAL through
4/30 double-sax trial
Item#:SP
JUST
IN! 
1937 Buescher "The Aristocrat" series 1:
In original lacquer, these are
hard to find in original (!) shape and well respected tenors. ser# 278K, They are versatile,
warm sounding, comfortable playing tenors, with better intonation than most, even
including Selmer. Has buescher snap-in pad system and gold norton springs. I need to burnish out several very dents in the
bow, a few on the back tube and neck as well; but it's a good looking sax with
limited solder points. And with a complete rebuild, is will play as
nice as it looks. They have a small bore/bell design that can really punch
through with the right mouthpiece. Comes in original Buescher hard case in ok
condition, rope handle replacement--latches do latch but the triggers are gone.
a little metal prick (car keys) will open it right up. :) It has it's
original pads and snap in domes everywhere, so i will do a faithful Buescher
snap in rebuild, with metal backed pads
to make it feel original. 2299.00
Item#:W
WS10.00.00.161.2-0-0
Sound File:
Buescher
"Big B"1944 vs. Buescher "Big B"1940 vs. Buescher Aristocrat
1938
1945 Buescher "Big B" Tenor:
Another superb tenor, in the 317,xxx range, Original Lacquer with
red/brown patina. It must have lived in Michigan for decades! :)
(pics are before rebuild and any burnishing) They are versatile,
warm sounding, comfortable playing tenors, with better intonation than most, even
including Selmer. I need to burnish out several very small dents in the
bow, but it's a good looking sax and with a complete rebuild, is will play as
nice as it looks. It has it's
original pads and snap in domes everywhere, so i will do a faithful Buescher
snap in rebuild, with metal backed pads
to make it feel original 1999.00
rebuild just
finished
Item#:WSS
Sound File:
Buescher
"Big B"1944 vs. Buescher "Big B"1940 vs. Buescher Aristocrat
1938
1951 Buescher Aristocrat '156' Tenor:
A warm sounding Buescher in the 338,xxx range. no major damage, just a
couple small dents in the bow which will be removed. Lacquer body and keys with
+70% intact--most missing from the neck. This one is a sneeky relacquer
(maybe?, but must err on the side of caution) and a good looking horn overall, just dirty on
arrival. They are versatile
sounding, comfortable playing tenors, with better intonation than most, even
including Selmer. These sound a lot like "Big B" and just
a little later era and are the transitional link between Aristocrats and the 400
series. It has it's
original pads and snap in domes and gold norton springs everywhere. I
just finished a faithful
Buescher
snap-in rebuild with metal backed pads and natural cork
throughout and she cleaned up quite nice, minus the tape or stand mark on the
bell, which might be evidence of relacq. I still can't say for certain. Comes in
vintage wood case in fair, but useable condition. 1699.00. Just
Finished, Plays Great!
SOUND FILE (feat. THIS sax!): check
out a scratch track I wrote to describe Sarge's wacky walk--the guy with a pep
in his step--"SARGE POP"
(played on a 1940s Dukoff 7 brass stubby mpc!).
Item
#: OS7.03.21.181.0-8-10
1967 Buescher 400 Tenor Sax: This
is a nice 400 model made about a year after the Selmer takeover ser. # 420,xxx. The finish is
original and to me, looks very handsome. It has the same body, neck with underslung octave mechanism and keywork as the famous older
brother the "Top Hat" model, but with nickel plated keys.
Buescher still made great 400's through the sixties, this one was made appx.
1967. It has a warm centered tone, but can be pushed hard with a metal
mouthpiece. The Lacquer is original and about 85%, but the neck and the
inside of the bell are nearly worn to bare brass. I plan burnish out a few
dents and to do a complete Buescher style rebuild and it will go
for 1699.00.
These are some of the most undervalued horns on the vintage market. Ready
to Go!
Item#:WSS
1968 Buescher 400 Tenor Sax: This
is another nice 400 model made a few years after the Selmer takeover ser. #
505,xxx, not quite as old as the one pictured above. The finish is original, but is somewhat visually
challenged. It has the same body, neck with underslung octave mechanism and keywork as the famous older
brother the "Top Hat" model, but with nickel plated keys.
Buescher still made great 400's through the sixties, this one was made appx.
1968. It has a warm centered tone, but can be pushed hard with a metal
mouthpiece. Upon disassembling, we noticed several oddities to the
original body, such as missing snaps and re-solder repairs but this is a great
sounding sax that still has a fair price attached. The case is in bad shape but
is suitable for shipping and required travels. It
received a complete Buescher style rebuild
but with Pisoni seamless dome resos to mimic the original style and it will go
for 1599.00 Just
Finished!
Item#:WSS
We love
connecting to our customers.
Here's the new guide to
get the ball rolling.
BUFFET:
(Indoor Flash)
1972 Buffet Super
Dynaction Tenor (w/
high F#):
EXCELLENT Original Lacquer is about 98% although there are some scratches (see
pics)--Beautiful Speckled Lacquer version! There are no pings, dents, or major
scratches to report. one, ONLY one post is dented into the body (C# tube
saddle). These compare very favorably to the famed
Selmer Mark VI, usually ranked #2. Known for its rich tone and smooth
action it is a well designed heavy horn, it keeps it's adjustment well and is very
reliable. The serial number is 18,3xx, which means it was made in 1972. the
70's models had a little more edge and some folks prefer them for that trait.
Included is
the original Buffet hard case which is still in excellent shape to match (except
the loss of the main handle, hmmm)--side handle is intact.
It will great
a "French
Standard" rebuild with flat metal resonators to mimic the original
setup and natural cork throughout. 2699.00 ON
HOLD
/Rebuild
Scheduled 3-1-12; for
Trial through 4/30,
double-sax trial
Item#:
WWS12.00.12.131.2-0-0
Sound
File (SDA = part "B"): "A, vs. B, vs. C - French
Set"
1975
Buffet (Paris) Crampon
S-1 Tenor:
This rare Buffet S-1 looks and played absolutely great on arrival but the
pads were a big mix bag of old and new ones.
The
whole horn is pretty clean and is original. we can see a few original acid
bleeds (D key cup, C# post...), includes yamaha replacement case. Known for its well design, these heavy horns keep adjustment well and
are very reliable, also excellent intonation and crazy gadgets on the Eb/C
rocker, Low Bb table, High F#, & opt. F#--Highly over-engineered. The serial number is
23,9xx, which means it was made in 1975. the
70's model Buffets had a little more edge and some folks prefer them for that trait. The
S-1 is actually quite brighter and bolder than the previous SDAs; so they're a
cross between the Buffet SDA & a King Super 20. We
decided to give it a French Standard rebuild with premium extras and put flat
metal resos w/ rivet to match its original factory setup. 3999.00
Just Finished
Item
#:S
SP18.11.111.0-4-11
Sound File: Conn
10M vs. Buffet S-1 vs. SML Gold Medal
CONN:
1925 Silver
Conn Wonder/"Chu Berry" Transitional Tenor: Ser.#
m166,xxx. Another Wonder II (aka a "Chu") with nailfile G#, rolled
tone holes, tuning neck, everything we love. Original Silver plate model,
in good shape with about 80% remaining, no major body damage to mention either,
Goldwash bell shows some heavy wear. Consider having us replate that as part of
the process. This is a transitional Chu, one of the first off the line, because
it has some Wonder I parts (high Eb). But it has the nailfile G# so you can be
certain you get that Chu sound. Great story with
this one: one owner horn! He played around the world via the cruise ships.
he put stickers on the original case, which is in good shape by the way, at all the
stops he had--Beijing, Hong Kong, Seattle, ...etc. This thing is covered. Too
cool! Now, if you've never played a Chu, they
are stunningly powerful tenors...big fat sound top to bottom. Ergos are
not that great, but i know a lot of players that play them in spite of the 20's
design and would never switch to a Selmer. It
will get a full repad, with a
Conn-style, standard
repad (aka, our vintage rebuild). 2699.00 or ask about one of our
premium rebuilds, with teflon and ultrasuede, for an extra 299.00
Item#:WWS12.00.11.7281.1-0
1927
Silver
Conn New Wonder "Chu Berry" Tenor: Ser.# m207,xxx. Excellent "Chu" with nailfile G#, rolled
tone holes, tuning neck, everything we love. Original Silver plate model,
in excellent overall condition. Now, if you've never played a Chu, they
are stunningly powerful tenors...big fat sound top to bottom. Ergos are
not that great, but i know a lot of players that play them in spite of the 20's
design and would never switch to a Selmer. The case is a hard rectangle
style from a later era(60s?) and is in decent/good shape. I will repad it, with a
Conn-style, standard
repad (aka, a vintage rebuild). 2995.00 or ask about one of our
premium rebuilds, with teflon and ultrasuede, for an extra 299.00
Item#:WSS12.00.11.100.8-0-0
Sound File: Buescher
Top Hat & Cane vs. Conn Chu vs. Olds "Super" (by martin)
1928
Nickel
Conn New Wonder "Chu Berry" Tenor: Ser.# m210,xxx. Excellent "Chu" with nailfile G#, rolled
tone holes, tuning neck, everything we love. Nickel plate looks like a
re-lacquer...or Re-Nickel, overall in excellent condition with some normal wear. Nickel boasts the darkest sound of all
finishes and silver color without the tarnish is Silver! Now, if you've never played a Chu, they
are stunningly powerful tenors...big fat sound top to bottom. Ergos are
not that great, but i know a lot of players that play them in spite of the 20's
design and would never switch to a Selmer. Notice the nice SKB hard
case included! It was recently repadded
with Selmer-style plastic resos so we couldn't justify tearing out the fresh pads but we
fully disassembled it to inspect rod alignments, added new oils & gels,
fine-tune all key adjustments (put on nearly all new corks) and fixed anything else we
found. 2939.00
Just Finished
Item
#:WSS12.00.01.11201.0-12-10
Sound File:
Selmer
Mark VI vs. SML Gold Medal vs. Conn (nickel) Chu
1934 Conn
Chu with "Naked Lady" Transitional tenor: (on
consignment -- plays well, PC repairs done by us)
please ignore the few raindrops that made it on camera. :) Serial #260,xxx.
If ever a sax should get relacquered, it should
look like this one! This was a Professional job
that we can guess happened in the late 1940s or 50s. It's a true beauty and I
can't tell how many people ask us about a Pretty "chu" in
lacquer. {{{could it be original?! timeline dates it to the beginning of
lacquered saxes...Hmmm :) }}} So the true "cool factor"
is that this tranny era Conn has the Chu keywork and the Naked Lady engravings --
all still highly visible from the pro relacquer work. It also features the distinct Rolled
Tone Holes of the era and the big, early Chu sound. The sax is in overall good
shape aside from the relacquer, neck looks good -- minor dings to mention (see
photos) and perhaps the only major damage in its lifetime happened to the high E
area where the damage only shows the repair. Comes with an original hard
case that is the oversized, tri-pack tenor case without the clarinet/flute
inserts. The owner also had new Conn reso-pads installed. 2399.00
ON TRIAL-SmartItem#:WWS
-consignment
Sound File: Selmer
VI vs Conn Chu tranny vs Buescher 400 TopHat&Cane
1936 Conn
30M "Connqueror" tenor: Here we
have one of the most sought after saxes! If you like opinions, many players
label this the best vintage tenor ... and they are getting harder to find.
Serial #274,xxx. Original lacquer at 70%, signs of use with minor scratches and usual
pitting. Good condition overall! These are highly sought after for their
big Conn sound but they are essentially a 10M Naked Lady Deluxe version. They
feature the solid silver key touches and an extreme amount of adjustable screws
that can be a rookie tech's nightmare--I actually like them because they offer a
preciseness to all adjustments that can be easily adjusted over time too, as needed. The
case currently is a nice, modern, brown leather soft case. I might try to swap
it to a nice hard case. It will get
a standard "Vintage Conn" style
rebuild (tan pads, flat metal resos) AND a Premium Upgrade INCLUDED--it deserves
it-- it will sell for: $5299.00
Item#:WWS16.80.45.981.1-0
Sound File (actual sax!):
Selmer Mark VI
vs Couf Superba1 vs Conn 30M
1947
Conn 10M "Naked Lady" tenor: Serial # 325,xxx, in Original but
oxidized lacquer. No rolled tone holes, but the same sound 10M's were
famous for. Conn was making them just as solid as ever in the late
40's. I gave it a chem bath and removed the oxidation before the
pics... it's best for the horn. I just finished this one a standard "Vintage Conn" style
rebuild (tan pads, flat metal resos) and I'm selling it for 2049.00. Just
Finished, Ready
to Go after some fine tuning.
Item#:W
SS
Sound
file: Selmer
mk vi, a The Martin Tenor and a Conn 10 M
Conn 10M, "Naked Lady" 1945 Original Silver Plate: serial number
312xxx, all original and never any major damage, just tarnished silver in the
'before' photos. Excellent % of original silver intact! One small dent in the bell which should burnish out pretty
nice. This one has the rolled tone
holes and everything you'd expect from a '40's Conn... including a really big
sound. The silver plate is original but worn in a few regular contact
spots, the gold in the bell looks decent--request a layer of 24k
Gold to really regain some pizzazz. It's big, lush and warm, with a hard rubber mpce, and can
really wail, with a metal mouthpiece. If you're familiar with early
Conns, you know they have a large cult following. Comes
with original Conn rectangle hard case in good shape suitable for use.
We we give
this a Vintage Conn rebuild with tan pads and flat metal resonators like it
originally had. $3869.00
Item
#:WSS
Sound File (feat. a #311 silver Conn):
Selmer
Mark VI vs. JK Silvertone vs. Conn 10M
Sound File: Conn
10M vs. Buffet S-1 vs. SML Gold Medal
Conn Stencil "Pan American"
Bb Tenor: I call these a poor mans 10M. They have the same
neck and receiver and the same body, just no rolled tone holes. Same side
bell keys and more modern keywork. Original finish is pretty good, 80+ %,
with most missing on the neck. We will remove the dents pull the neck back
up a little and rebuild this one with tan pads
and flat reso's, so it will sound original. 1499.00
Item#:WSS
COUF:
a
baby from Sarge's Collection:
J. Keilwerth/H.Couf Superba 1:
Equipped with High F#, beautiful lacquer, another "Sarge's Special" rebuild,
Prestini pads, metal domed resos, AND a Premium Upgrade.
S# 54,xxx, nice really
early Superba 1, these are noted for a very big, warm sound, that is full of
harmonics and body. This is the oldest Couf i have acquired to
date, i
really like the older ones, they are tone machines. Made about 1965,
the early models are ultra rare, especially in nice condition... and finish is
very good, perhaps 90%, with the usual wear and scratching. Body is very
straight, no dings or dents. SOLD
Sound
File: King
Super20 F.P. vs King Silversonic vs Couf Superba1 "Blackie"
Sound File (actual sax!):
Selmer Mark VI
vs Couf Superba1 vs Conn 30M
We love
connecting to our customers. Here's the new guide to get the ball rolling.
GUARDALA:
Another
really fantastic German sax is a B&S stencil, for Dave Guardala. I have been searching for a early serial number
Guardala model 500 for some time. The craftsmanship is awesome on
these horns. Ergonomics are up there with Keilwerth and Selmer, the
materials used are far above par. The sound is unique and falls
somewhere in-between a Conn "Chu" Tenor and a Keilwerth SX90R.
Here is my description for this particular Tenor:
Dave Guardala model DG500SP
Silver Plate Tenor: This Uber-professional
level Bb Tenor saxophone is fabricated and hand made from 72%
formulated Copper alloy yellow brass with full rib post construction and hand
hammered bell. All rods are solid
nickel silver with stainless steel screws,
springs are tempered blue steel and authentic Mother of Pearl key buttons are
used throughout. I repadded it myself, with Saxgourmet pads and nickel
plated, brass rivetless, domed resonators. All the Guardala extras come standard,
like hand engraving on the bell (not laser engraved like
the later made Guardala's), high F#, plus extensive
fine tuning key adjustment screws at all critical points. This horn has triple
silver plating finish with meticulous fancy hand engraving on the bell. Upper
and lower key stacks are ergonomically designed for smooth, accurate and
positive digital feel.
The serial number is below 4000 ( 00382x,
Made in Germany). This sax was
manufactured long before Dave Guardala's association with LA Sax
started (that is, the "LA SAX" Laser engraved saxes bearing his
name, after B&S folded), and LA Saxes compromises in the quality of the product began appearing.
Don't be tricked, the DG500's are the real thing, serial numbers will differentiate
the B&S models from the LA sax ones. The
mouthpiece (in the pics) is mine and is not for
sale or included. Silver
models are estimated to be 20% higher in resale value than lacquered
brass. Available with original
"faux alligator" case for 3699.00
Item#:SSP
KEILWERTH
1966 J. Keilwerth
TONE KING:
S# 55,xxx, nice top
of the line Keilwerth, with high F# key, made the same time as the Couf Superba
1. These are noted for a very big, warm
sound that is full of
harmonics and body. Made about 1966, in the very same location, by the
same workers as the Couf Superba 1 and 2. I have seen Superba Ones with
the serial number 51,xxx, so both of these models were made at the same
time. There are a few small differences, like the bell to body brace, the
strap hook and the right hand thumbhook, but the sound is identical and the
mechanics are too, as close as i can tell... early Couf's even had the plastic
pants guard. I have Just Finished
a "French
Standard" rebuild, using large flat metal reso's (aka, a vintage rebuild). Comes
in a used, SKB molded hard case. 2399.00 SOLD/On
Hold
Item#:WSS
Sound File: Selmer
Mark VI vs. JK ToneKing vs. The Martin Tenor
High
value for bucks!
1949 J. Keilwerth
"Silvertone Tenor": S# 21,xxx, nice
re-label (or stencil) of the "New King", Keilwerth. These are noted for a very big, warm sound, that is full of
harmonics and body. Made about 1949, with the JK best in the world
stamp near the serial number. This is a "Two-tone" model, which
was a step up at that time, not a "student" sax feature as it is
now. $SOLD
Item#:WS
S
Sound File (actual sax):
Selmer
Mark VI vs. JK Silvertone vs. Conn 10M
We love
connecting to our customers. Here's the new guide to get the ball rolling.
KING:
1941-2 King Silver
Zephyr Tenor: S#257,xxx, superb
sounding earlier zep. Original silver is good, over 80%. The earlier
the Zephyr, the darker and more vintage the tone, this one sounds
beautiful. It's not mint, she has had her share of dings and dents
removed, but she is solid as a rock and will make a great horn for someone who
can appreciate that sound! Three ring strap hook, eyebrow keyguards,
improved G#/B/Bb cluster and this one was chosen by the US Navy band, so you
know it was tested and preferred over others. Comes with vintage wood case
in OK shape. I
just finished a "French
Standard" rebuild, but substituted large flat metal reso's, for the
selmer style plastic ones (aka, a vintage rebuild). 2799.00
Rebuilt & ready to play!
Item#:WSS
12.11.11.000.0-8-08
Sound
File (actual sax!): Mark
VI vs SML-RevD '41Zephyr
1950 King Zephyr Tenor: Also in my favorite serial number range for zephyrs.
These sound just about identical to a super twenty, from the same
year. There are no major dents and several minor dents don't
detract from how this tenor plays. The serial number is in the low 343,xxx
range and the lacquer is 90% intact. Included is the neck, the brass neck
tenon cap and a King woodshell case in fair condition.
I
just finished a "French
Standard" rebuild, but substituted large flat metal reso's, for the
selmer style plastic ones. SOLD
Item#:WSS
Sound File: KingZephyr343K vs. SML Gold Medal vs.
KingSuper20FullPearls
Silver
Zephyr Tenor Saxophone. S# is 328,*** which
makes it circa 1952. It has the double socket neck, improved G# table, many
features you would find on the 50's King Super 20. Original silver plating
is 90% intact with a few small areas that have worn to brass. No major
dings or dents in the horn, typical small dings and pings, which i will do my
best to remove. the original low c keyguard was replaced, but i think in
can find an exact replacement and silver-plate it to match--good as new. Comes with original case. 2799.00
Item#:WSS
1957 King Zephyr Tenor: Another great
Zephyr in my favorite serial number range. GORGEOUS
at that! Great story: we had the pleasure of buying this from
the original owner. She got it went she was 10yrs old and played many
shows (winning, of course!). All I can say is "wow". She loved this
horn to keep it so nice. ...not many boys keep a sax this nice for +55yrs!
:) These sound just about identical to a super twenty, from the same
year. The serial number is in the 358,xxx
range and the original lacquer is 99% intact.
Most wear is on the palm keys, minor chair dings (as a kid) on the bottom bow.
We'll burnish those out. a few replacement screws need returned to originals
too; we'll take care of that. Included is the neck, the brass neck
tenon cap and a King woodshell case in excellent condition as well. It's
the purple two-tone version with the alligator top. = sweet vintage case!
It will get our "French
Standard" rebuild, but substituted large flat metal reso's, for the
selmer style plastic ones--so it will have a rebuild like it rolled out with in
the 1950s. Considering how beautiful she is: $2799.00
Item#:W
WS8.50.00.9151.1-0
Sound File: KingZephyr343K vs. SML Gold Medal vs.
KingSuper20FullPearls
a
baby from Sarge's Collection:
King
Super 20
"SilverSonic"
Tenor: Serial #385,xxx,
Mfg in 1960, when King was owned by the H.N. White Company.
Features a
Sterling Silver Bell, and Neck, Hard-Nickel Silver Rods, Individually
Hand-Soldered Tone Holes. Here's what the HN White people had to
say: "The list of H. N. White super 20
players is impressive including: Mr. Julian "Cannonball" Adderley,
Mr. Georgie Auld, Mr. Sam Donahue, Mr. Charlie Ventura, and the great
Charlie Parker Jr. Without a doubt what makes H. N. White instruments
unique is their use of Sterling Silver Bells. Some time between 1925 and
1928, The H. N. White Company introduced the "Silver Tone"
Sterling Bells option to Liberty Trumpets, Master Cornets, Clarinets, and
the entire Trombone line of instruments. As stated in the 1928 complete
catalog, "Sterling Silver Bell produces better tone, being clearer,
richer, and more resonant, with a more pleasing quality." The
engravings on "Silver Tone" instruments are some of the most
elaborate and attractive works of art ever produced by an American
manufacturer. A short time after World War Two (1949-1951), "Silversonic"
replaced "Silver Tone" and the engraving was not as elaborate
(except on Artist level), but the quality of tone remained the same. In
addition, Saxophones were give the option of having a Sterling Silver Bell
with the introduction of the World Famous "Super 20" and later
"Silversonic Super 20", which were some of the most sought after
production saxophones ever made."
Currently
setup with Black Saxgourmet Roo Pads and oversized seamless flat nickel resonators
and a Sarge's Premium Rebuild. Tentatively
for sale, from Sarges personal collection, i may put it at ebay soon.
SOLD
Compare
to this recent EBAY Auction that still needs a rebuild!:
Very
Nice
Ebayed Silversonic <--click
there
As
long as you're comparing, notice our considerably better serial number (in
perfect rebuilt playing order).
Item
#:SSP35.11.1110
SOUND
FILE: King
Super20 F.P. vs King Silversonic vs Couf Superba1 "Blackie"
MARTIN:
1939 Martin Committee 2 Tenor
Sax: Serial number
134,xxx, This one has a nice dark sound and has the "early Martin"
warmth, one of the most beautiful ballad horns, but powerful like a "the
martin tenor" as well, with the right mouthpiece. SOLD
Item#:WSS
Sound File: Selmer
MKVI vs. Martin Comm 2 vs. Martin Comm 3
1946
The Martin Tenor Sax: Serial number 158,xxx, numbers match on the neck and body.
The older "The Martin" the deeper and fuller the tone and any
"15xk" serial numbers are hard to see, especially in original
condition. This one is in +60%
original lacquer and will be considered a great player's horn.
It has had several solder repairs and some dent work, heaviest solder
work a side-C tone hole. We will burnish the neck some more to its best
smoothness too. It has a non-original, vintage case that
is a tri-pack--no clarinet shelf, flute set intact--in fair condition. It
will get a "French
Standard" rebuild, with flat metal resos; considering that she's
an earlier original AND I had to pay a fortune for her, we have to sell her for:
2199.00
Item
#:
WWS11.46.95.7201.1-0
Sound File:
Tenors & MPC file:
SelmerVIvsTheMartinTenor--Dukoff
D7vsOttoLink4****MasterColemanHawkinsSpecial
1948
The Martin Tenor Sax: Serial number 164,xxx, numbers match on the neck and body.
The older "The Martin" the deeper and fuller the tone. This one is in +90%
original lacquer. At
a quick glance, i don't find any past solder repairs. The body is in overall great
shape mechanically and cosmetically shows some signs of +60yrs--there are some
pings and marks on the low bow (possible dent ball) which are mostly on the backside
there's some usual
bumps on the Bell. The neck looks good too-- no pull down, just a
couple small dings that i will do my best to remove. These early "The
Martins" are much sought after for deep, full tone. So after the "French
Standard" rebuild, with flat resos; considering that she's
an nicer, early original we will sell her for: now
2499.00
ON
HOLD, Scheduled for Rebuild--Gillette
Item
#:OS11.55.00.121.1-0-0
Sound File: Selmer mk vi, a The Martin Tenor and a Buescher
400 Top Hat
Sound File:
Selmer Mark VI vs.
JK ToneKing vs. The Martin Tenor
JUST
IN! (pics coming
soon) 1959 Silver
The Martin Tenor Sax: Serial number 205,4xx, numbers match on the neck and body.
This one is in original silver plate at 75%. It does
show signs of damage throughout, sadly on the bell engraving too. :(
NOTHING that looked devastating to the sound, however--makes
this the perfect "player's horn", with no fear to take her to the gig
and blow everyone away. The body is in overall
fixable shape mechanically and cosmetically shows some signs of +50yrs. There
are at least 2 posts replaced (non silver) that I think I might have fixable
replacement pieces for! The neck looks good too-- no pull down, just some usual
wear--however loss of the neck screw...I will have to find some replacement for
that too. The Martin Thumb hook is gone so I will need to address that too
with a better replacement--Martin Mod? Selmer? you can perhaps help choose?! Martins
are all known for the resonant Deep 'lows' and fullness in the sound spectrum.
Comes with a SKB hard case (damage at cracked bottom corner). So after the "French
Standard" rebuild, with flat metal resos; we will sell her for: 1799.00!!!
Item
#:WWS5.50.00.271.2-0
The
Martin Magna Tenor: All original,
maybe 50% original lacquer left and in solid condition.
It's serial # is 210,xxx, made in 1960. The Magna's extra
features are an adjustable octave mechanism screw to control the height of the
octave key, an extra big and comfy LH thumb pearl, adjustable bow and bell key
felts and extra rollers on the G# table. This one is pre-RMC, so it does
not have the "Roundtable" crest on it. With an aggressive pad and reso setup in
them, these can be the worlds best Rockin' tenors. The sound of the Magna is not much different than any other
Committees, but they do have the advantage of a silver
cross to ward off attack by Vampires! Great, rare Pro horns, big ol' fat
sound, unlike any other... Recently completely rebuilt,
i have completely dissembled it, cleaned it inside and out, cleaned and treated
the pads and lubed and reassembled it, then checked for leaks, comes with a
used, molded PROTEC case
in good condition (one zipper has replacement pull tab). she's good, Just Finished and
ready to blow. 2850.00
Item#:WSS
The
Martin Magna Tenor: It's
serial # is 210,79x, made in 1960. This one is an older relac, in
nice shape overall. I need to remove a little messy solder on the low C
guard and tonehole, but the pics are "before" style, big pics, so you
can see anything up close, as it is now. The Magna's extra features are an
adjustable octave mechanism screw to control the height of the octave key, an
extra big and comfy LH thumb pearl, adjustable bow and bell key felts and extra
rollers on the G# table. This one is RMC, so it does have the
"Roundtable" crest on it. With the right pad and reso setup in
them, these can be the worlds best Bebop' tenors. The sound of the Magna
is not much different than any other Committees, but they do have the advantage
of a silver cross to ward off attack by Vampires! Great, rare Pro horns,
big ol' fat sound, unlike any other... Just completely rebuilt, (our Vintage rebuild: dissemble it, clean it inside and out, add new natural
cork and prestini pads/flat reso's, lube and reassembled it, then check for leaks,
she is ready to blow). comes with an original brown rectangular case (decent inside), with strange
spray-painted lace pattern on the top... 2449.00 Just
Finished and READY TO BLOW
Item#:WSS
SELMER:
1939 Selmer Balanced Action Tenor Sax: Serial #
28,xxx made in 1938-39,
Made
in France, these early Selmers are much darker in tone than the later SBAs
and Mark VIs--think less treble tone. Also more
beautiful that their replacements, these models always had beautiful engraving.
This one is "The Sailboat." This is
is a nicer relacquer at 70% it has been played
over the years so you won't feel bad about taking her out to gig. Things could
be worse but she does have a patch on the neck, some solder evidence (neck
receiver, limited posts, opt. F# guard). There are a few dings throughout and a
few on the bow too. I'll burnish out all the dings and bell lip the best I can
too. :) Looks like she'll need us to resolder the bell-to-body brace in a
serious way (removing and fixing the bell connection correctly with high heat brazing
before re-installing) ...OR... you can request us to use soft solder like someone
else did to keep more lacquer intact. We
will give her the "French
Standard" Rebuild
with Prestini Pads and substitute metal domed resos to replicate the vintage original setup, and
natural cork throughout. It currently comes in a vintage hard tri-pack case in
Ok/Fair condition. 4899.00
Item#:WWS25.00.12.161.2-0
Selmer Mark VI Tenor Sax:
Serial # 83,6xx made in 1959,
i guess i
don't need to add to the Legend about the 5
digit MK VI's,
suffice it to say they are considered the best in the world and often command
prices in excess of 8000.00. These "Brecker Era" models are
highly sought after for just that. Made
in France,
the body and neck
are in very good shape and looked beautiful after Sherry Huntley re-engraved
the original engravings, and Anderson Silver Plating applied
bright shiny Silver. The neck has no serial number and a lot of early mk
vi's had none, but i'm convinced by size , shape and match to saxes finish when
i got it, that it is original. I put in all new Stainless Steel springs and
did a faithful
French Standard repad, with
extra ultrasuede and teflon and i even
had a complete set of
original MK VI plastic
domed screw-back resonators, i
used. The finished project is one of the finest playing and
sharpest looking mk vi's i have had the pleasure to work on. 10,099.00
SOLD
Item#:WSS
Sound
file: "A, vs. B, vs. C - French
Set"
Sound file: Selmer mk vi, a The Martin Tenor and a Buescher
400 Top Hat
Sound File (feat. this #83K): A
WWS Silver Resto. Selmer Mark VI 5-digit #83K (Brecker era) vs Selmer Mark VI
#155K Original Lac (mid-run era)
Selmer Mark VI Tenor Sax:
(On Consignment--Rebuilt by us, WWS)
Serial # 155,xxx made in 1968,
Made
in France,
the body and neck
are in good shape overall. This is original lacquer at 75% it has been played
over the years so you won't feel bad about taking her out to gig. The neck has no serial number
but there are faint numbers scratched into it (like school ID #s). We adjust the
sax for pull-down, the bow area showed heavy denting, and we fixed one solder. We
just finished the "French
Standard" Rebuild
with Prestini Pads and plastic domed resos to replicate the original setup, and
natural cork throughout. It comes in a medium-hard wrapped, foam case in nice
condition. now
5499.00
Item#:WWS-Consignment
Sound File: Selmer
VI vs Conn Chu tranny vs Buescher 400 TopHat&Cane
Sound File (feat. this #155k Sax!) :
Selmer Mark VI vs.
JK ToneKing vs. The Martin Tenor
Sound File: Selmer
MKVI vs. Martin Comm 2 vs. Martin Comm 3
Euro Selmer Mark VI Tenor Sax:
Serial # 174,xxx made in 1970,
The
Euro Engraving style on the bell looks great and is crisp to the touch. These
models also had a slightly lighter lacquer color too. $SOLD
Item#:WWS
Sound File(feat. this 174K sax!):
Selmer Mark VI
vs Couf Superba1 vs Conn 30M
Sound File:
Tenors & MPC file: SelmerVIvsTheMartinTenor--Dukoff
D7vsOttoLink4****Master
Sound
file: "A, vs. B, vs. C - French
Set"
S.M.L.(Strasser Marigaux
Lemaire):
1960-61 SML, Gold Medal MK 1 Tenor:
(On Consignment--Needs PC work to play correctly)
These are superb tenors, made in France and rare as well.
This
sax has a very unique engraving, as all SMLs were special; there is extensive
script behind the bell keys, a unique floral around the Words, and the
characteristic inner bell etching too....pretty sweet. We've never seen one
quite like this. SML
saxophones have a big Conn 10m like sound, but the advantage of french
mechanical design, so they are more ergonomic. SOLD
Item#:WWS-Consignment
Sound File: Conn
10M vs. Buffet S-1 vs. SML Gold Medal
Sound File: KingZephyr343K vs. SML Gold Medal vs.
KingSuper20FullPearls
1962 SML, Gold Medal MK 1 Tenor:
These are superb tenors, made in France and rare as well. This one
is about 70-80% older careful relac, the engraving has been re-engraved by
Sherry Huntley and looks fantastic. It's a two-tone finish and in good overall shape. Sml
saxophones have a big Conn 10m like sound, but the advantage of french
mechanical design, so they are more ergonomic. They also have some of the
best intonation ever produced on a sax. Serial Number is 18,2xx and the
bell does say Gold Medal on it. here's what saxpics.com has
to say:
Around s/n 15xxx, SML introduced the Gold Medal models (note that
there were some crossover Rev. D altos and tenors available until 156xx or so).
They are the pinnacle of SML design: rolled tone holes, elaborate engraving,
etc. As a matter of fact, the name comes from the fact that these horns won a
couple of gold medals at the International Music Festival at The Hague (Holland)
back in the 50's for their excellent design and performance. What
this essentially means is that the SML's with the most features - sans the
standard altissimo F#, which seems only to have been on late King Marigaux
stencils - are found in the serial # range of 15,6xx to 18,xxx. These horns
should be the most sought after. I also think that the "Two Tone"
finish of lacquer body and nickel-silver keys is fairly striking and SML did
consider this to be a "premium finish" choice. (There are still a fair
number of people that think that this set-up is indicative of a student horn --
it isn't in the case of the SML!)
I have done a "French
Standard" rebuild, but substituted large flat metal reso's, for the
selmer style plastic ones. Comes with original case, in just fair
shape. I had to pay a fortune to get it, but this is what most
players consider "the best" SML, so it will be worth the price 3099.00
Just Finished!
Item#:WSS
Sound File: Conn
10M vs. Buffet S-1 vs. SML Gold Medal
Sound File: Since the 1st one had so much
controversy--Tenors file:
Selmer
Mark VI vs. SML Gold Medal vs. Conn (nickel) Chu
Sound
File (SML = part "C"): "A, vs. B, vs. C - French
Set"
Sound File: KingZephyr343K vs. SML Gold Medal vs.
KingSuper20FullPearls
We love
connecting to our customers. Here's the new guide to get the ball rolling.
SAD
SAD NEWS...early Thursday Feb 9th, 2012 Steve
"Sarge" Stransky peacefully passed away after a +3 yr battle
with brain cancer. If you consider he was given only 2 yrs, this was a WIN! He
was in the company of Family and close Friends. It was the most joyous send-off
I've ever seen with music-galore--mostly Beatles' songs. :*) There were
many tears and a TON of laughter for this amazing man with great musical
talents, repair skills and a great love for people! I will miss you so much,
Buddy. 
Pictures:
